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Helen's Post: March 19.03.07
Change
from Within
Join in
with the chorus
Music and movements
Step up your involvement
And turn around this place
Everyone's got things to give
Which will not disappear
Vibrations fill a hopeful mist
Flying in dissent
It's kisses need your lips
So listen, and wish
Join in with the chorus
Music and movements
Step up your involvement
And turn around this place
The assembly of feet
Meet as one heart's beat
With reason to be
We speak happily
And see change already
Repeating down the street
Waves from below are rising
Cracking barriers
Nothing is brought down instantly
But know that you are good
Never give up
Join in with the chorus
Music and movements
Step up your involvement
And turn around this place
David
Mclean:June 2007
Kerry-Fleur
Schleifer: May 2007
Alan
McKean:April 2007
Helen
Long: March 2007
Maggie
Sullivan: July 2006
Tricia
Peak: June 2006 and 3rd
London Poetry Festival 2007
Malgorzata
Kitowski: May 2006 and 2nd
London Poetry Festival 2006
Sarah
Parry: April 2006
Alan
Buckley: March 2006 and 2nd
London Poetry Festival 2006 |
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March
2007 Poet in Residence @ Poet's Letter
Welcome
to Helen
Long's Page

Helen Long is a
very young poet who lives and writes in Tonbridge, Kent. Helen came to
writing from a very early age and a very passionate young poet who loves
taking poetry as far and as unlikely places as possible. She writes as Prude
Fledgling. Prude is, apparently the poet laureate of Helenland! Beings of a
poetic nature, they can't remember first being interested in poetry. Helen
does recall that she learnt to write in primary school, but feels listening
is more romantic. She continues to learn things from people who agree to
stand and talk to her, and trees who don't really have a choice.
Here is what
Helen wrote about her life and writing
I
was born in Greenwich Hospital, London on 12th November 1987. I was taken
home to a flat in Hither Green which I don't remember. I remember living in
a flat and then a house in Catford. In 1998 I moved to Tonbridge in Kent
with my mum Fran, dad Fred and brother Peter.
I
was lucky enough that my first place of study was an inner city primary
school called Rushy Green, with lots of immigrants. It was great; we had a
different festival every week. Creative writing was taken just as seriously
as spelling, or punctuation. My last year of primary school was spent in
Tonbridge, bored. I then went on to Hillview School for Girls, a secondary
modern. Unfortunately I spent a lot of time off sick with M.E. /C.F.S., and
missed it very much. Also, when I was there I wasn't really able to take
part. I took Single Science, Maths and English Language.
Lastly,
I attended West Kent College, where I took A Level Government and Politics.
I found this really interesting and continue to be interested in such
matters, and bore people with them.
I
also went to study skills sessions, as I had not practised writing essays
enough at school, so needed to learn. In September I went back to primary
school to work in an after school club. I am paid to play on climbing frames
and find the end of the sticky tape!
I
am having a sort of gap year period, exploring possibilities and potentials
and different ways of living. I have been to pagan and Quaker meetings and
might find out about Buddhism. I'd like to visit communes. I'm about to
start yoga lessons, and would like to take weekend courses in other things
too.
I learn a
lot by talking to a variety of different people. Recently I took notes while
a nice old man I had just met gave me a personal lecture on the Bloomsbury
group. One is given a lot of leaflets at demos.
With Mum I have been to 'small change' meetings, where we learnt how to
lessen our impact on the environment.
I
can't remember becoming interested in poetry. Mum says I always liked
nursery rhymes and children's books with 'flowery language'. My parents kept
a row of books on the carpet where I could reach them. I liked to be read
'Two Shoes New Shoes' and 'Squirrel Nutkin', even when I was too young to
have a clue what it was about.
At
primary school age I remember walking down the street reading, and liked to
write stories and poems. I remember sitting between the curtain and the
French window, watching the rain and writing, or under the table. I liked
imaginary games. I don't know much about other poets. I know more about
lyricists in bands.
For
this I have the excuse of being a teenager. Dad has a 'young poets' book,
but they're probably old now. I enjoyed 'Too Black Too Strong' by Benjamin
Zephaniah. A couple of weeks ago, on Mum's advise I purchased a William
Blake book. I opened it in the middle, while waiting for an Indian
take away to bring back to a book fair. I read 'to see a world in a grain of
sand'. I didn't quite cry, and I didn't quite write it straight onto my wall
when I got home; but I knew this was what I wanted to do. I also read 'I
went to the garden of love', and ate in the churchyard with a big grin and
no shoes.
I
write because I enjoy it, and have things to say. Writing poems is quicker
than writing books, and they don't have to make sense. The things I would
like to say are less suited to sense than poetry. I see a problem in this
world of people thinking they are bad, and lacking the confidence to go out
and change things. I think poetry can speak to the nonsensical part of
people, which is not so concerned with meeting targets, and competition and
the like. It can awaken their passion for life and faith in humanity. It can
bring out emotions. Experiencing emotions is, I feel, very important to our
development as well rounded, functioning and contented human beings.
I
think when people remember they are human, they will remember there is a
point. Also, through A level politics I learnt people only take notice of
your ideas if they fit into one, short memorable quote. I must practise
writing well.
Post
from Helen Long on March 9, 2007
Right To Moan
What with no subtlety or grace
Will vandalise a public place
Undignified and cumbersome
It snatches leaving you with none
Who was that law written for
Speaking for all at the table
While it's mouth is full
Well researched and well debated
Big is more sophisticated
Who saw it first, was first to claim
Responsible but not to blame
Who was that law written for
As playground penal doctrine deems
Inaudible screams
With it's stair gate fortified
The law of reason is denied
The code of honour is trespassed
It's snubbing everyone it asked
Who was that law written for
Is the rational judgement day
Hearing what they say
Keep out the temple when there's
space
Stay on the path when past it's place
A concept above the thirsty
Gaia is sold to slavery
Who was that law written for
No entry into discussion
Electorate shunned
A lack of balance creates needs
Mutual support stops selfish deeds
A lack of support cuts the soul
And needless hoarding fills a hole
Who was that law written for
Let changing circumstance dictate
Communal mandate
It steals the earth from those
who care
From those who love it and would share
It steals those people from the earth
Have we forgotten what it's worth?
Who was that law written for
For not much more can it ignore
It should speak for us
Combined with an integral force
Police need not keep us on course
It bolts a door but not my jaw
And shakes still passed through chained hands
So what, was that law written for
If land I am offered
I shall have a quiet word
(09.03.07)
Return
To Earth
To know what I am looking for, but not the universal law
To know what I would do, without becoming a world view
And when an answer isn’t found, at least a question’s asked
It’s not that I seek solitude, just not to be in shade
Found not solely in religion, needing knowing of a god
Dispelling self obsession, and the finding of self worth
And when an effort was in vain it’s still and exercise
It’s not that I would interrupt, just ensure I am heard
By conviction, but not by conceit
Discipline, but not denial
When stumped where we are to proceed, opens space to create
It’s not an endless possible, it’s all that I imagine
This is not a heaven, but the place where I belong
This is not all Eden, but we each see where it is
And when wild strawberry moments go, stalks continue still to grow
No divine creation, just contributing a seed
This is not sloganeering, but meaning assigned to life
This is not symbol worship, but a beauty recognised
And when we get back to the core, we can find our way out
Yes spirit is a constant, only ruled by nature’s law
Go
to Top
These
hands were made to hold
Bullying takes a knock
When hands are held in lock
We naturally mould
These hands were made to hold
To comfort and to heal
To open up, to seal
To model, craft and mould
These hands were made to hold
Cradling earth in hand
Not tied to any land
The soil was my mould
These hands were made to hold
To show that we care
To team up, to share
Community the mould
These hands were made to hold
Fit in like a rainbow
So we see each light glow
The breaking was the mould
These hands were made to hold
Go
to Top
I
Am Determined To Enjoy Myself.
I am determined to enjoy myself .
I am more than particles renewing
I have a will to go on
my poems are more than ponderies relayed
my poems are my will
and I am more than willing
to consider what I want
I am determined to enjoy myself .
creativity is more than brightness
it shows an individual's spark
the words carry more than definitions
as offerings with an added charge
so I think of more than where poems began
to find where spark and charge were first struck up
I am determined to enjoy myself.
to develop more than verses
sculpting the structure of myself
making more than communications
learning how to connect
for poems come from more than common language;
there is a place within us which is shared
I am determined to enjoy myself .
I believe we all can get there
along more than one path
nature is more than the world outside
it's much more fun to socialise
with guides more than instructions
with maps and open minds
I am determined to enjoy myself .
see surroundings as more than scenery
see homes and characters
breath for more than survival
breath to taste the air and live
venturing not only for conclusions
but to appreciate the journey
Go
to Top
The
Human Condition
I am a multi elemental compound
Comprising creatures plants and ground
I am not in authority
But I sew society
I am what brings collective health
Beyond the sustenance of self
I am a cycle and a source
Above what circumstance may force
I am a well nourishing spring
Reliant on a stream you bring
I am a directionless flow
When stable never running low
I am the one you cannot trace
To one discernable place
I am adjoining chasms realm
Propelling the physical helm
I am the friends that I can feel
And all one needn't prove is real
I am a trailing catacomb
By life's lessons I am known
I am as much as I respect
And missing all whom I reject
I am the love from whence we came
And all emotion in one name
I am what's us in side of me
I am neither power not property
I fetch the world into my mind
I shuffle and search outside to find
A future of fairness and compassion
I am what each of us imagine
And united we will fashion
(As good as we believe)
Go
to Top
Patronising
Pattrilineal
Impulse buying raises the blood rate
The top shelf of a food chain
Local branch, awaits
Meat market
Bait
I won't be patronised
Head hair proves your not a chimp
But intellectual styling is
Limp
I wont be patronised
Linguists to the hunt
Kill with a
Grunt
I wont be patronised
I evolved, I thought and realised
I won't be patronised
Go
to Top
To read more of
Helen's works please visit: www.geocities.com/prude_fledgling
|
why
appreciate
intricate wording ; act with concentration
organise pleasing patterns ; location, focus exercise
edit unnecessary clippings ; meditate filtering distraction
appealing, emotive correspondence ; relating, empathising aid
subconscious abstract chorus ; tunes intuition instrument
perceptive, interpretable, timeless ; tones considerative ponderings
articulate, patient, reasoned ; evident reliable, comprehended
wild / aligned composure ; informed even rhythm
thought / process refined ; knowing one’s mind
Go
to Top |
I
Want To Be A Rabbit
Her teeth are weird and edgy
Wonder if they bite
Or nibble up the skirting
Glinting in moonlight
Her shadowy undergrowth
Wonder what I'll find
Delving in that darkened pit
Sight will be refined
Her eyebrows look delinquent
Wonder if they'll raise
My pupils too will dilate
Should she catch my gaze
Her feet stand their ground firmly
Wonder what's her plan
Knows no obstacles no nose
Can point higher than
Her breasts stick up for themselves
Wonder if I'm licked
She lets herself grow on up
Won't be pushed or picked
Go
to Top
To
read more of Helen's works please visit: www.geocities.com/prude_fledgling
Copyrights
belong to Helen Long
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Magazine’s.
|
III
London Poetry Festival 2007
Read
more about the five Poets in Residence @ 3rd London Poetry
Festival 2007
August
10, 11, 12 and 13 (Friday-Monday)
Briony
Dennis, Inua Ellams, Julie Jeana, Tom Chivers and Tricia Peak.
Come
and listen their performance on February 12th, Monday, 7 pm at
Poetry Cafe, 22 Betterton Street, Covent Garden. For further info
call 07809 682 065 or write to editor at poetsletter dot com
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to Top
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Lo ndon
Circle FREE EVENT
Calling
all artists, singers, poets, authors, film makers, journalists,
students or professionals come and chat, share ideas, smoke &
Drink! or don't smoke or drink!
Not just the folks of London are invited!
People from other parts of country visiting London are invited
to come and join us and people visiting the UK from other parts of
the world are welcome to. Just let us know of your arrival
beforehand. What is Poet's Letter's role here? Nothing but to
organise, welcome and facilitate the event.
For INFO call 020 7556 7052 or 07931 357 109 or email nadia
dot saint at poetsletter dot com
www.poetsletter.com
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to Top
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