|
World Politics World Politics World Politics
How do you solve a
problem like Radovan Karadzic?
There are criminals and
there are those called war criminals and stand accused at the International
Criminal Court in The Hague Redovan Karadzic, who made a name for his absolute
hatred and brutal determination to annihilate an entire population by simply
bombing, shelling and burning them. He is accused and charged with multiple
counts of war crimes including genocide (Srebrenica Genocide) against Bosnian
Muslims, Bosnian Croats, and other non-Serbs population during the Siege of
Sarajevo.
Public memory is a
shallow and short term thing. It is probably worse than the memories of fishes
since new things happen and the public seem to move on conveniently forgetting
what had happened and as time passes by and dust begins to gather there come out
people, bigots, who stand up and say: these things are made up. They never
happened.
Like those people and
there a lot of them who stand up and say, as if they could wipe out history, oh,
the Holocaust never happened! These are the people who are as dangerous as the
criminals that massacred the millions of innocent people since they share the
same hatred and burning desire to bring about the same brutal barbarity,
bloodshed and slaughter to innocent people simply because they are different
than those that seek to destroy them by force of violence.
Karadzic apparently not
co-operating with the Court and asked the court to let him have 10 months to
prepare a defence. The Hague will continue and this trial will bring fresh
heartaches, pains and nightmares back to all those people who were at the
receiving end of what Karadzic and his followers did and, though, most of them
perished in that process but the survivors who have suffered themselves and most
of all lost loved ones, in cases, entire family, entire blood lines of people
got wiped out, will have to relive those nightmares again.
It is simplistic,
however, to try and bring criminal justice to seek resolution or justice in such
situation. Karadzic was Karadzic not because he forced his own people to support
him. He became what he did, achieving that position and powers because people
supported his loathsome, abhorring and brutal views of life and its priorities;
not that all of the Serbs supported his madness (that has not and never will be
the case in any country). They are the people, those supporters, who made him.
It is not that he was not responsible for what he did. Like Hitler he is
responsible but it seems we want simplistic over generalisation.
It is easy to say that
Karadzic is a criminal and must pay. Indeed, he must pay but until we take a
deeper look and ask ourselves why is this the case that when such a criminal is
tried that he enjoys hatred outside the country in the outer greater world and
in the place where he had committed the crimes but that he enjoys support and
solidarity among his people (not all the people of course) who still think he
was and, still is a hero who went and fought for them? That is the question that
we must ask.
Why and what make the
general member of a particular population choose such a position and fail to see
what’s wrong in believing and acting to bring that belief into violent and
brutal reality supporting people like Karadzic or Hitler? And even after the
massacre and slaughter still, how people find it easy to continue to believe in
such a thing, maintaining that burning hatred?
These are the serious
issues that the world, Europe and the Balkans must learn to deal with.
Regardless of what happens at the Hague and to Karadzic this is not going to
resolve this situation and hatred, resentment and continuous renewal of
perpetual hatred. There must be other ways to approach this darkest side of
human minds that feed themselves in ignorance, bigotry and absence of natural
regard and respect for the sanctity of life and humanity and a sense of violence
raging on which monsters like Hitler, like Keradzic, like Pol Pot, like Saddam
Hussain and others water their hatred and passion and lead the people to
unimaginable horrors.
This is true in the
Balkans, in the case of Hitler and all other monsters in history and on the
current world stage (we do not have the means, courage or mechanism to bring and
charge them with war crimes!) but we have never dealt with it. As human beings
we have never dealt with the real issues but took the simplistic and over
generalised view and learnt to parrot blames and said: well, Hitler was a
monster. Indeed, he was but all those little monsters of hatred and bigotry that
lived inside us, in all the peoples of the world, albeit in pockets, in all the
nations of the world still remain inside us and given any chance and opportunity
they begin to come out and there are always going to be people like Karadzic,
like Bin Laden who will come out and call those little monsters out to go and
kill. That is why we are seeing extreme racist and fascist groups are rising
their ugly head across Europe, in Russia, in China, in Africa, in Asia and a lot
of other places.
We must learn to deal
with these little monsters as this big monster faces the trial in The Hegue.
This by no means is going to resolve anything at all.
| Π.Λ|
Go Up
Opposition to War in Afghanistan Rises Sharply
A Channel 4 News You Gov poll published today shows that opposition to the
war in Afghanistan has risen sharply in the past fortnight.
Two weeks ago, 42% of the British public thought the Taliban could be defeated,
while 48% thought they could not. Now, following the deaths of five British
soldiers yesterday and President Karzi’s much-challenged victory in the recent
election, just 33% of those questioned last night think the war can be won,
while a clear majority, 57% think victory is no longer possible.
As a result, 35% now think all British troops should be withdrawn immediately –
compared with 25% two weeks ago. Only 20% think they should remain in the
country “as long as Afghanistan’s government wants them there” – down from 29%
two weeks ago.
Women are especially keen to see British troops come home: 40% think they should
be withdrawn immediately, while just 13% think they should stay as long as they
are needed. Men divide more evenly: 31% want them home immediately, while 28%
think they should stay as long as they are needed.
These figures are likely to concern MPs. Public opinion lacks the power to force
Parliament to end Britain’s involvement; however, no Government likes to commit
troops to an extended conflict, and a rising death toll, with so little public
support.
All figures, unless otherwise stated, are from YouGov Plc. Total sample size was
1,021 adults. Fieldwork was undertaken between 4th - 5th November 2009. The
survey was carried out online. The figures have been weighted and are
representative of all GB adults (aged 18+).
Submit for the Special
Christmas Issue Poets' Letter Print Magazine. Deadlinel: November 15.
editor@poetsletter.com
Poetry Sound Crew
at The Tank Gallery: Dec 3
December 3, 7.30 p.m
Tank Gallery, The Ladywell Tavern,
80 Ladywell Rd SE13 7HS
£3 - on the door
Join Sound Crew, a group of eight prize-winning poets, for an evening of
recollections and portraits, enquiry and curiosity, musicality and
rhyme. The Crew are: Allison McVety, Josh Ekroy, Judy Brown, Maggie
Sullivan, Norman Staines, Philip Ruthen, Robbie Burton and Valerie Fry.
Go Up
The UK Loves Him: T. S. Eliot Nation's Favourite
Poet

After more than 18,000 votes were cast and
counted on BBC's Poetry Season website, it has now been official that TS Eliot
is nation's favourite poet while John Donne managing to come second and Benjamin
Zephaniah third while W. B. Yates came 7th and Keats succeeded in becoming the
9th. The top ten of poets' running order is as follows:







Go Up
For more
www.bbc.co.uk/poetryseason

Autumn Avenue: Poets' Letter
Go Up
Poets' Letter
Youth Lit Magazine is live and kicking

Photo: Hayley Madden
Poets' Letter Youth
Lit has always been part of Poets' Letter Magazine but from October
15th Poets' Letter Youth Lit will become a magazine of its own with its own
website at
http://www.poetsletteryouthlit.com edited by
Kathleen van
Geete. First issue of the Poets' Letter Youth Lit will be posted
on October 15th (October being Poetry Month on which we celebrate Poetry
Day). Poets' Letter Youth Lit aspires to offer home and a platform to
young writers, poets, artists, thinkers and readers of UK and beyond. It
will try to cater for the young people between 13 and probably up to 30
which is a big range.

Here is the open
invite from the Editorial Team of Poets' Letter Youth Lit for
submissions of all kinds of creative writings including of course
poetry.
Submissions deadline
Poets'
Letter Youth Lit: 7th of the Month (Posted on the 14th of the month)
For submissions
guidelines please visit
http://www.poetsletteryouthlit.com
Send submissions to
editor@poetsletteryouthlit.com
Everyone is invited
and encouraged to spread the words to all the young writers, poets,
thinkers, artists and readers they know at schools, colleges,
universities and youth settings. Please spread the word that Poets'
Letter Youth Lit is here for them to celebrate their writing and
creativity.
Go Up
Poets' Letter Fiction
Magazine's Debut November 21

Poets' Letter has always
published fiction and will continue to do so. However, from November this year,
Poets' Letter Fiction Magazine will begin its own journey as a monthly magazine
for English Fiction.

Poets' Letter Fiction Magazine is going to be edited by
Poets' Letter Deputy Editor Sharon Harriott
while Munayem Mayenin is going to be
the Leadeditor. The opening issue of Poets' Letter Fiction Magazine will be
published on November 21st and on the same day of each month. Get submitting!
editor@poetsletterfiction.com
http://www.poetsletterfiction.com
Poets' Letter
Pholosophia Magazine's Debut December 7

Poets' Letter has always
published Philosophical writings and will continue to do so. However, from
December 2009 Poets' Letter Philosophia will begin its journey as a new monthly
Philosophy Magazine on its own website. Poets' Letter Philosophia will always be
posted on the 7th of the Month opening issue being posted on December 7th 2009.
Poets' Letter Philosophia will be the Church of Thoughts, the Nursery of Ideas
and Cradle of Lights and will raise and water questions to landscape a future
where humanity will rise to call itself One and take up its home in this
infinite Universe with nothing but dreams to choose continuously without a Diet
choosing for it. Get submitting!
editor@poetsletterphilosophia.com
http://www.poetsletterphilosophia.com
Go Up
Watch
London Poetry
Festival 2009 Video on Youtube

Watch the 5th London Poetry Festival 2009 Video on Youtube
http://www.londonpoetryfestival.com
The 6th Festival
will take place in August on the extended weekend of 6-9 August 2010
(Friday to Monday).
Buy a copy of the London Poetry Pearl

5th London
Poetry Festival 2009
Festivals
Festivals Festivals Festivals Festivals

Hazel Ventura
Go Up
Events Events Events
Events Events Events
Angel Poetry and Loose Muse Go Gothic Nov 19th
A night of Gothic Ghost Stories and Tales from the Crypt, on Thursday 19th
November. Stratford
With the nights
growing longer, and the darkness coming earlier, this seems like an
excellent time to let you know about a special collaboration with Loose Muse
and Angel Poetry – A night of Gothic Ghost Stories and Tales from the Crypt,
on Thursday 19th November.
And what makes
this night even more special is the fact that it’s a benefit gig for
Discover, the children’s arts centre which has a focus on stories,
literature and creativity, based in Stratford E15. I’m hoping that we can
have a ghoulishly wonderful night with some truly horrible tales from the
crypt, and raise some money for our Children’s Forum activities. So if you
want to come along, entry will be a minimum of £5, more if you can afford it
– give me a call to book your tickets in advance….it’s bound to be a
chillingly popular night.
And if you’re not
able to make it on the night but want to make a donation anyway, make your
cheques payable to DISCOVER, and send them to me (Agnes) here at Discover, 1
Bridge Terrace, Stratford, London E15 4BG.
As well as a
plethora of amazing stories from some of London’s best Spoken Word artists,
there’ll be a small prize for the Best Dressed Ghost or Ghoul…so come as
fully frocked as you can and join in the fun.
Contact
agnes.meadows@discover.org.uk
Go Up
Utter
Poetry November Poetry Events
Sat 7th
November - Writing Workshop- Yvonne Plowright. 11am - 1pm,
Community Room (inside teenage library, 2nd floor) Wood Green Library,
Wood Green High Road, N22 £2/free if it’s your first time
Thurs 12th November 2009 19:00 'UTTER!' FILM @ The Whitechapel Art
Gallery - Open mic special: read two pieces, one of which should
ideally reference or be inspired by a film, sign up 6.30pm - 7.30pm
showtime. Winner wins a special prize & a place in the Paid Gig final.
Special Film buff guests: Simon Barraclough & the wonderful Nick Helm
(replacing Richard Sandling)
Whitechapel Art Gallery, tube: Aldgate East, Free/whip round.
http://bit.ly/utterfilm
Thurs 19th November: ‘Utter!’ PAID GIG CONTEST (Ajar Mic) final 2009;
You vote for who wins £100, the chance to compere their own Utter! and
run a writing workshop for us in 2010. ‘Attend’ this event:
http://bit.ly/ajar09
Anna Mae-Selby, Rob Auton, and the winners of Utter! Cats (Catherine
Brogan), Utter! Ed preview (Charlie Dupre), Utter!’s got talent (Laura
Hainey), Utter! Weirdness (James McKay), Utter! evolution (Alan
Wolfson), Utter! Prime Numbers (Harry Baker) and Utter! Film.
…plus very special guest, host of Book Club Boutique, festival veteran
and author of the anticipated autobiography Springfield Road SALENA
GODDEN!
Cross Kings, 126 York Way, King’s Cross N1 0AX, pre-book for just £5
on
http://www.wegottickets.com/event/62260 OR it’s £5 before 7.30pm,
£10 after, NO EXCEPTIONS!
Sat 21 November - Writing Workshop - Leora Ronel. 11am - 1pm,
Community Room (inside teenage library, 2nd floor) Wood Green Library,
Wood Green High Road, N22 £2/free if it’s your first time
Tues 24th November - Utter! writing group reading at the Big Green
Bookshop, 1 Brampton Park Rd, off Wood Green High St, London, N22,
6.30-9pm. Tube: Turnpike Lane/Wood Green. London Transport Museum ex
poet-in-residence Abe Gibson, Brian Docherty, myself, Leora Ronel,
Diane Morrison, Catherine Hillis, Jane Wibberley and many more TBC.
Then pub! FREE
Sat 5th
December - Writing Workshop - Nichola Charalambou. 11am - 1pm,
Community Room (inside teenage library, 2nd floor) Wood Green Library,
Wood Green High Road, N22 £5/free if it’s your first time
The writing group will return on Sat January 16th and spoken word
events on Feb 18th with The Funeral of Mr Richard Tyrone Jones (
http://bit.ly/rtjdead ).
In the meantime, to stay up to date, why not join the Facebook group
at
http://bit.ly/utter ?
Or, if you'd like to book us for your
institution/library/school/tour/seasonal party across the UK, check
out our NEW roster of top spoken word talent at our lovely website
www.utterspokenword.com - click on 'Book our talent!' then get in
touch.
Or if you'd like to get off the list, just reply with 'UNSUBSCRIBE' in
the subject and we'll take you off, no bother, no offence.
www.utterspokenword.com
07912 539 098
Go Up
Up the Line Nov 11 Remembrance
Day Celebration Performances

31 artists from 11 countries will
be performing in 1 cemetery during an hour of darkness, to honour those who
suffered on all sides in the conflict.
Stations in
order of appearance
(starting
from Brockley Gate, please reverse order if you arrived from Ladywell Gate)
Police
Guard
Up The Line
Choreography: Keren’Or Pézard (www.maaikor.info)
Dancers:
Yasuo Asano, Wei-Shan Lai, Karolin Bertilsson, Joana Clare, Aiala Urcelay,
Typhaine Delaup, Yuko Shinoda
Memorial to
those who died in Deptford through Zeppelin raids
Intermezzo
op 117 no.1 in E flat and Intermezzo op 117 no.2 in B flat minor by Johannes
Brahms, piano: Julian Jacobson
Line up for
war - Film: Kai Clear (www.kaiclear.com)
Projection: Declan McGill and Jon Lockwood
Diary of
Albert Hugh Blackmore read by Harry Vendryes
Poems by
Siegfried Sassoon read by Graham Buchan
Poems by
Joseph Seamon Cotter, Wilfred Wilson Gibson, Alec Waugh, Anon. read by John
Clarke
Extracts
from “In Parenthesis” by David Jones read by Paul McGrane
Zeppelin
First
Movement of Sonata no.1 in G Minor by Johann Sebatian Bach, violin: Yuko
Matsumoto
Poems by
John McCrae, Robert William Service, Robert Freeman Trotter read by Heather
Taylor
Poems by
Bernard O’Dowd, Vance Palmer, Leon Gellert, Judith Wright read by Katherine
Gallagher
Poems by
Wilfred Owen, Isaac Rosenberg, Rifleman Donald S Cox, Joseph Lee, A P Herbert
read by Joe Duggan
Poems by
Marc de Larreguy de Civrieux, Georg Trakl, Franz Janowitz, Gerrit Engelke read
by Isabel White
Cemetery
Chapel open for lighting of candles and reflection
Poems by
Géza Gyóni and Dimcho Debelyanov read by Csilla Novoszath and Kata
Poems by
Katherine Tynan, Margaret Postgate, Miss G M Mitchell, May Wedderburn Cannan,
Anon read by Marie Maurer
Poems by
Cecil Spring Rice, Wilfred Owen, Rupert Brooke, Robert Laurence Binyon read by
David Bottomley
Police
Guard
Oscar’s
At 7.30:
children’s lantern procession starting from Brockley Gate Please come and join
us for a chat and a drink at the Rivoli Ballrooms after you have completed the
route. 1920 and 30s music with Haydn Meddick 350 Brockley Road, SE4 2BY – please
ask one of our stewards for directions!
For more Isabel White
personal@isabelcentral.com
Go
Up
Rhymes Won’t Wait Nov 20
Venue:
SOUND in Leicester Square
Date:
FRIDAY 20 NOVEMBER from 7pm-10pm
Tickets: £3 in adv http://rhymeswontwait.eventbrite.com £5
on the door
Please contact Sabrina@timewontwait.com /
07944 361 750 for further information on the event and interviews/workshop
access/press passes for the event.
Hollie
McNish, Deanna Rodger, Catherine Brogan, Dean Atta (Creative Director), Sabrina
Mahfouz (Creative Producer), Camila Fiori, Rumi Begum, Karis Halsall, Chimene
Suleyman, Haseeb Malik
Go
Up
Free Regular Monthly
Poetry Event at Stratford Theatre Royal
Theatre Royal Stratford East Bar
continues to host a FREE spoken word event on the second Sunday of every
month from 8pm.
18 October - ROYAL NIGHT IN: WORD4WORD
Join award winning Kat Francois and friends as they deliver fresh and
powerful poetry; a must for spoken word fans. There are a limited number
of open mic slots available: Book in advance on 07961 313 557 or e-mail
kfrancois@stratfordeast.com
For further information about these and other ongoing free events in the
Theatre Royal Bar, please visit:
www.stratfordeast.com
Or contact:
e: press@stratfordeast.com
t: 0208 279 112
Go Up
2010 Cardiff International
Poetry Competition

Multi-award winning poet and
short story writer Jackie Kay and Anglesey-based poet and Poetry
Wales Editor Zoë Skoulding have been announced as judges for the
2010 Cardiff International Poetry Competition.
The competition, which is now officially open, is one of the
UK’s leading poetry competitions and offers one of the largest
monetary prizes for a competition of its kind. First prize is
£5,000; second prize £500; third prize £250 and five runners-up
will receive £50 each.
Entries can be in any form and on any style though they must be
unpublished, your own work and no longer than 50 lines. For full
guidelines and conditions of entry click here.
If you think you have what it takes to win first prize of £5000
then send us your poems. The Cardiff International Poetry
Competition is pleased to acknowledge the financial support of
Cardiff Council.
To receive an entry form send a
stamped, self addressed envelope to:
Academi, Mount Stuart House, Mount Stuart Square,
Cardiff, CF10 5FQ
Or click here to download the entry form now
For more information contact Academi on:
029 2047 2266 /
post@academi.org
http://www.academi.org/cipc
The Judges
Jackie Kay
Jackie Kay
was born and brought up in Scotland. Her most recent collection
of short stories, Wish I Was Here (Picador, 2006) won
the Decibel British Book Award. She has won the Guardian Fiction
Prize for her novel Trumpet (Picador, 1998), and a
Forward Prize for her collection of poetry The Adoption
Papers (Bloodaxe, 1991). She is Professor of Creative
Writing at the University of Newcastle. Her most recent
collection of poetry Darling, New And Selected Poems (Bloodaxe,
2007) was a Poetry Book Society Recommendation. She was awarded
an MBE in 2006. Her most recent collection for children,
Red, Cherry Red (Bloomsbury, 2007) won the CLPE award.
The Lamplighter, her long poem to commemorate the abolition
of the slave trade, was published by Bloodaxe in 2008. Jackie
lives in Manchester with her son.
Zoë Skoulding

Zoë Skoulding’s
most recent collections of poems are Remains of a Future
City (Seren, 2008), which was long-listed for Wales Book of
the Year, and The Mirror Trade (Seren, 2004). Her
collaborative work includes Dark Wires (West House
Books, 2007) with Ian Davidson, From Here (Dusie,
2008), with visual artist Simonetta Moro, Species Corridor
(Klangbad, 2008), a CD album by Parking Non-Stop, and You
Will Live In Your Own Cathedral (Seren, 2009), a pamphlet
of poems in German and Czech translation accompanied by a CD of
poetry set to soundscape with Alan Holmes, in association with
Literature Across Frontiers. She is an AHRC Research Fellow at
Bangor University, where she also runs part-time courses in
literature and creative writing. Zoë became Editor of the
international quarterly Poetry Wales in 2008.
Go Up
Submissions Calls
Submissions Calls
Imsonium Books Submissions Calls
Niuley Pleasance Dotstories Anthology to Be Published in 2009
This is what Munayem Mayenin calls, dotstories.
“Dot stories are after the diamond-cut, the gem of creativity, condensed
and intensified, heightened. The entire life and its living, loving,
imagining, creating must come out in one kiss! Short, sharp, brilliant
and almost mesmerisingly paralysing! If life is a lower case i a dot
story is the dot on top of the tiny line of life.” Munayem Mayenin
For more on dotstories
http://www.munayemmayenin.co.uk
Imsonium Books seeks submissions for Niuley Pleasance Dotstories
Anthology to be published in 2009.
Submissions FREE
To laciela@imsoniumbooks.com
Deadline: 30th of November 2009
For Guidelines
http://www.imsoniumbooks.com
Go Up
Omarain Novels Anthology 2009 Seeks Submissions
Imsonium Books is going to publish Omarain Novels Anthology 2009 which
will publish 20 new novelists who have not been published anywhere yet
and will publish the following from each novelist:
1. A biography of the novelist
2. A synopsis of the novel
3. One chapter of the novel
Imsonium Books will publish 5 of the best novels out of the 20 published
novelists in the Anthology. The five novels will be published in 2010.
There is not catch.
Submissions FREE
Deadline: 30th of November, 2009
The Anthology will be published before Christmas 2009.
Please, follow the following guidelines to the dot (and we mean it) and
send submissions to
laciela@imsoniumbooks.com
Who can submit
Anyone writing in English and has not been published yet.
One Submission
The novel submitted must, must, must only be submitted to Imsonium Books
alone. You may submit the piece elsewhere once you have heard from us.
For Guidelines
http://www.imsoniumbooks.com
Sophia Promises of Thoughts Philosophy Anthology 2009
Imsonium Sophia Promises of Thoughts Philosophy Anthology seeks
submissions
This Anthology seeks original writing of thinkers from around the world
who are roaming about in University Campuses and in the campus of the
University of Life, who can not sleep as they rage and rise to raise
questions and set about everyday seeking answers to the nightmare we are
forced live today.
The pieces should not be more than 2,500 words.
The article submitted may be a chapter of their on going works or just
an independent article.
Submissions FREE
Deadline: 30th of November, 2009
For Guidelines
http://www.imsoniumbooks.com
Go Up
Volume Magazine Seeks Submissions

www.volume-magazine.com

The Times BFI 53rd London Film Festival Opens
Information on this years dedicated Awards
ceremony, which will be hosted on the evening of 28 October
This year, for the first time, we will host a dedicated Awards ceremony, on the
evening of 28 October, at which we will present an enhanced range of awards,
unlike in previous years, when the Festival presented a small number of awards
to film and documentary makers on Closing Night. These awards will recognise and
reward emerging young filmmakers who have made their debut in the Festival, as
well as established feature-film and documentary makers. In addition, the
highest accolade the British Film Institute bestows - The Fellowship - will be
presented to two figures of international standing from the worlds of directing
and acting. Full details of the juries for each Award will be available in the
Festival catalogue.
Highlights of the evening, as well as interviews with the winning filmmakers and
comments from the judges will all be made available here on the Festival
website.
Best Film
This new Award will celebrate creative, original, imaginative, intelligent and
distinctive filmmaking in the Festival.
An initial shortlist will be drawn up by the Artistic Director and the
programming team, and will then be judged by an international jury of high
profile directors, writers, producers and actors.
BFI Fellowship
The British Film Institute Fellowship is awarded to individuals in recognition
of their outstanding contribution to film or television culture. Initiated in
1983, the BFI Fellowships have been given to a host of outstanding actors and
film & programme-makers from around the world, including Robert Altman,
Michelangelo Antonioni, Dame Peggy Ashcroft, Sir Michael Caine, Bernardo
Bertolucci, Bette Davis, Gérard Depardieu, Graham Greene, Sir Alec Guinness,
Deborah Kerr CBE, Akira Kurosawa, Sir David Lean, Jeanne Moreau, Martin
Scorsese, Dame Maggie Smith. This year's recipients will be recognised for their
significant achievements in the field of acting and directing.
Best British Newcomer Award
The Best British Newcomer Award will celebrate new and emerging British film
talent and recognise the achievements of a new writer, producer or director who
has demonstrated real creative flair and imagination with their first feature.
This year's judges include Lenny Crooks, who heads the UK Film Council's New
Cinema Fund which encourages new, distinctive voices in British Cinema, Michael
Hayden, Festival programmer, Sandra Hebron, Artistic Director of the Festival,
Christine Langan, Creative Director of BBC Films whose producer credits include
In The Loop, The Queen, The Deal, Cold Feet, and Dirty Filthy Love, Tanya
Seghatchian, Head of the UK Film Council's Development Fund & Executive Producer
of the hugely successful Harry Potter franchise and Tessa Ross, Controller of
Film4 and Drama, Channel 4.
The Sutherland Trophy
For the
most original and imaginative first feature at this year's festival.
This award, presented for the first time by the BFI in 1958, has a long and
distinguished history and has been awarded to a remarkable spread of filmmakers
including Yasujiro Ozu, Souleymane Cissé, Bernardo Bertolucci and Rainer Werner
Fassbinder. Some of the films recognised in recent years include Asif Kapadia's
The Warrior, Kenneth Lonergan's You Can Count On Me, Lynne Ramsay's Ratcatcher,
Andrea Arnold's Red Road. Last year, Sergey Dvortsevoy's Tulpan, the disarmingly
sweet comedy about a desperate Khasak sheep-herder and his attempt to find a
wife, was chosen as the worthy recipient. This year's Sutherland Trophy winner
will again be selected by an invited jury of filmmakers, actors, writers,
critics, producers and artists.
Shortlist 2009
Ajami
Bunny And The Bull
Cold Souls
Eyes Wide Open
Lebanon
Metropia
Samson & Delilah
Shirley Adams
Wah Do Dem
Wolfy
The Times BFI London Film Festival Grierson Award
For the best feature-length documentary at this
year's Festival.
This award is given by the Grierson Trust, which commemorates the pioneering
Scottish documentary-maker John Grierson (1898-1972), famous for Drifters and
Night Mail and the man widely regarded as the grandfather of British
documentary. The Grierson Trust, through its own annual awards - The British
Documentary Awards - has a long-standing tradition of recognising outstanding
films that demonstrate integrity, originality and technical excellence and
social or cultural significance. Last year's Festival winner was Victoire
Terminus, the powerful and gripping documentary about contemporary life in a
Congo ghetto as seen through the eyes of four female boxers.
Visit website
benugo and The Riverfront
will be open to 00:30 on Fridays and Saturdays during the Festival.
Go Up
The International Fish Short Story Prize 2009
The
International Fish Short Story Prize 2009 is now open with Ronan Bennett
as the judge. The ten best stories will be published in the annual
Fish Anthology 2010. The prize was started in 1994 to get new
writers published in book format. So far we have published over 300
writers from all over the world.
The
1st prize is 2,000 Euro with an additional 1,000 Euro to travel to the
book launch in West Cork, Ireland, in July 2010. Entry online is 20 Euro
(approx. £18)
www.fishpublishing.com £20 by post. The second prize includes a
week’s residence in Anam Cara Writers Retreat in West Cork, and 300
Euro. The closing date is 30 Nov, and there is a 5,000 word
limit. There is no restriction on theme or style.
Hon
Patrons: Roddy Doyle and Dermot Healy.
Fish also runs a One Page Prize, 1,000 Euro, 300 word limit,
closing date 20 March ’10, and a Poetry Prize, 1,000 Euro, judge
Matthew Sweeney, closing 30 March ’10. The winners of both competitions
are published alongside the Short Story winners in the Fish Anthology.
Entry is 12 Euro for both of these competitions.
Full details and on-line entry on
www.fishpublishing.com
Postal entries must not have name and address on the text, but on a
separate sheet. Fish Publishing, Durus, Bantry, Co Cork.
Go Up
Sentinel Literary Quarterly Poetry and Short Story Competition (January,
2010).
About the competition
Sentinel Literary Quarterly Poetry Competition
has been introduced to encourage and
reward quality poetry writing, create and sustain awareness about the
publication and if by any chance a small financial margin is achieved at
the end of each competition, that will go back into producing the
magazine and help keep it a free-to-read publication.
Competition Details
Subject:
Poems may be on any subject.
Length:
Maximum 40 lines per poem
Entry Fees:
£3.00 per poem or £12.00 for 5 poems
First Prize:
£100.00
Second Prize:
£60.00
Third Prize:
£40.00
First Publication:
The top three poems will receive first publication in the January 2010
issue (Vol.3 No.2) of Sentinel Literary Quarterly (SLQ).
Competition Pamphlet:
A pamphlet of 32 poems fed by the competition titled Champion Poems 3 -
Top poems from the Sentinel Literary Quarterly Competition (January
2010) Compiled &published and all included poets will receive 1 Free
contributor's copy each.
Entry deadline: 23rd December, 2009 (Postmark)*
Results due:
31st January, 2010 announced in Sentinel Literary Quarterly magazine at
http://www.sentinelpoetry.org.uk
For short story Competition:
http://www.sentinelpoetry.org.uk
Go
Up
Books
Taking Flight: An Oversteps Book
Taking Flight
by Rose Cook,
ISBN 978-1-906856-09-0. Price
£8.
Rose is well-known as a poetry performer, not only in
her native Devon but in venues all over the UK. She was co-founder of
the poetry performance group Dangerous Cardigans and for a number of
years co-presented Totnes’ One Night Stanza with Matt Harvey.
Her work has been broadcast on BBC Radio 3 and BBC
Radio Devon, and has appeared in magazines; but this is her first full
collection. The range of subjects is wide, and includes a particularly
moving sequence about the birth of an illegitimate child.
Oversteps Books is run by poet Dr Alwyn Marriage
www.overstepsbooks.com
Society and
Giving
GMG Radio’s ‘Help For
Heroes’ Day Nov 10
GMG Radio has announced that
Chris Tarrant will present an exclusive show from 9am to 11am as part of
its Help for Heroes Day on Tuesday 10th November. For the first time
ever, this show will broadcast across the entire GMG Radio network of
stations which include Real Radio, Smooth Radio, 106.1 Rock Radio and
96.3 Rock Radio.
Through the day’s events all stations are looking to raise as much money
as possible for ‘Help For Heroes’. The charity is looking to set-up a
network of recovery centres across the UK, providing practical, direct
support for Britain’s wounded soldiers. For full information visit any
of our websites at;
www.realradio.co.uk
www.smoothradio.co.uk or
www.rockradio.co.uk
Chris Tarrant’s show will be packed full of special guests including the
band everyone is talking about, Spandau Ballet, plus what promises to be
a revealing interview with music mogul and X-Factor judge, Simon Cowell.
Across the day a raft of big names and surprise guests from the world of
entertainment will be dropping in to join in the fun live.
Chris Tarrant said; "Help for Heroes is a great charity doing a great
job to help our injured service personnel; and an excuse to team up with
the guys at GMG to have some fun on the radio again."
Some of the many top music and celebrity names supporting Help for
Heroes Day across GMG Radio with special on air messages will include
Cheryl Cole, Robbie Williams, Alexandra Burke, Alesha Dixon and The
Stereophonics.
Our grand online auction, which features an array of totally unique and
amazing items will go live from Saturday 7th November. Bid on a visit to
Jenson Button’s Brawn GP factory, tickets to be part of the X-Factor
audience or have the three servicemen known as ‘The Soldiers’ perform
hits from their debut album, ‘Coming Home’ just for you.
GMG Radio station’s frequencies are:
Real Radio Smooth Radio Rock Radio
105.4 Northwest 106.6 East Midlands 106.1 Manchester
100-101 Scotland 105.2 Glasgow 96.3 Scotland
105-106 Wales 102.2 London DAB across the North East
106-108 Yorkshire 105.7 West Midlands
100–102 Northeast 100.4 North West
Go Up
PhotoBox's new personalised
cards help the NSPCC
For immediate release-London, UK, 5 November 2009
PhotoBox, Europe's leading online personal publishing and printing
service, has just launched a brand new range of personalised cards to
suit all occasions.
In addition to more photo card designs than ever before, where everyone
can have fun adding their own photos to make a truly unique card,
PhotoBox is also offering a wide selection of predesigned cards with a
good 250 designs to choose from.
With PhotoBox, finding the perfect greeting couldn't be easier, whether
it is Christmas wishes, happy birthday greetings or a simple thank you
note, the fully searchable filter page will return a wide selection of
designs, based on the occasion, the type of card - photo or predesigned,
format, and size.
All cards are fully customisable, text and captions can be added on the
front and inside of the card with a good range of fonts and typefaces to
pick from. All that is needed is imagination and personal touch to make
loved ones smile.
To celebrate the launch of its new range, PhotoBox has partnered with
the NSPCC, so a percentage of the sales of all A5 and A6 greeting cards
will go towards supporting the charity and its Child's Voice appeal.
This year not only will people get to wow their friends and family with
a touching personalised greeting card from PhotoBox, but they will also
be helping the NSPCC with their vital work to ensure every child's cry
is heard: two great ways to feel good this Christmas.
Another great reason to feel good and give PhotoBox gifts this Christmas
is that PhotoBox is selling a specific range of NSPCC greeting cards and
an NSPCC Photobook showcasing the winning images from their NSPCC Young
Photographer of the Year Competition. So this Christmas the message is
clear - Feel Good, Give PhotoBox!
Go Up
Newest Members in
the Poets' Letter Team
Helena Sainz De Vicuña: Films Editor

C. R.
Ventura: Design Editor

Jack Foley: Online and Web Editor

Go Up
Thanks to
National Poetry Library
|
Sentinel Literature Festival 2009: Dec 1-3, Waterloo
As part of its celebration of its 7th year Sentinel
Poetry Movement is set to run a three-day Literature Festival
celebrating poetry, fiction and music in December 1-3. Performances
start at 7pm and continue till 10pm.
The festival will open with a short report on 7 years of Sentinel
Poetry Movement by founder Nnorom Azuonye who also doubles as the
Festival Director. This report will then be followed by poetry and
fiction readings and performances, and live music by, among others,
the headline acts: Harry Zevenbergen
poet, performer and citypoet of Den Haag, author of “Punk
in Rhenen”,
Tony Fernandez,
Poet
in Residence at the
5th
London Poetry Festival 2009 and author of “The Sound of
Running Water” and Editor of Africa Awakening magazine, Lookman
Sanusi - a theatre practitioner, fiction writer and author of
“Skeleton”, Nnorom Azuonye - editor of Sentinel Literary Quarterly
and author of “The Bridge Selection: Poems for the Road”, Clare
Saponia – a young voice with publications in The Recusant, Platform,
Red Poets, Inclement and Pennine Ink.
There is also Afam Akeh – founding editor of African Writing
and author of “Stolen Moments” and “Letter Home and Other Poems”,
Chika Unigwe - author of the bestselling novel “On Black Sisters’
Street”, and
Malgorzata Kitowski – one of the foremost
Poetry Film-makers in
London,
Poet in Residence at the
2nd London
Poetry Festival 2006 and author of “Doppelgangers”.
The three-day play will conclude on December 3 by the performance of
“Sampo: Heading Further North” by the Middlesbrough duo Andy
Willoughby and Bob Beagrie. SAMPO: HEADING FURTHER NORTH is a spoken
word and music extravaganza of story telling, lyric poetry, beat
sensibilities and postmodern experimentation by poets Bob Beagrie
and Andy Willoughby with musical collaboration by world music duo
Gobbleracket based on the Finnish myth cycle Kalevela connecting to
their north eastern identity, it has toured the north to critical
acclaim and is now heading further south! With its South London
Premiere.
Live music on the first two evenings of the Festival will be
provided by South Africa-born Italian Folk Jazz singer songwriter
Aletia Upstairs. The line-up includes new songs and others from her
debut album, “Possibility”
The Festival will take place at two venues. On Tuesday the 1st
and Wednesday the 2nd of December, the events will take
place at Waterloo Gallery, Waterloo Action Centre, 14 Baylis Road,
London SE1 7AA. Then on Thursday the 3rd of December the
festival moves to Play Space, 1 Coral Street, London SE1 1BE. Both
venues located across the road from the Old Vic are literally 2
minutes’ walk from Waterloo Station (Northern Line and British
Rail), and about 4 minutes from Southwark Station (Jubilee Line).
For convenience, the £6.00 per day tickets can be purchased in
advance from the Festival website, or at the door.
Nnorom Azuonye, the organiser of the Festival, himself is a
devoted literature development worker, a pioneer with deep faith and
conviction who has tirelessly tried to take literature and poetry to
wider audiences over these years. He himself is a gifted poet,
fiction writer and playwright. He was
Poet
in Residence at the 4th
London Poetry Festival 2008.
For more
www.sentinelpoetry.org.uk
www.sentinelpoetry.org.uk/literaturefestival
Tel: 0870 127 1967 or 07812 755751
| Π.Λ|
Go Up
Art @ 42 Presents Michael Horovitz
and His Poetry and Artworks, Dec 3
Art @ 42 Presents an Art Retro at 42
Pembridge Rd, W11 on Thursday 3rd December from 6.30-10pm.
An exhibition of Michael Horovitz's
artworks (1963-2008) with Michael giving a reading where John Hegley
will make a special appearance.
European Politics European Politics
Lisbon Treaty: What is this fuss all about?
There was that famous ‘cast-iron guarantee’ that Conservative Leader
David Cameron gave and now he must regret using such a phrase! How could
one give a ‘cast-iron guarantee’ about something like this when the
factors that were involved were so many and so unpredictable? So that
cast-iron guarantee fell through the hole when the Czech President
singed, albeit, unwillingly, the Lisbon Treaty that now has entered the
Statute Book of Europe! Now, there is no need to have a referendum on
that but the Torries are still geared up to make laws, once and if
elected at the next election, not to give any more powers to Europe!
What does that actually mean? Giving Powers to Europe?
And
let’s talk about the referendum. What is the political philosophy that
seeks a referendum on any issue, to be honest? Britain is a
representative democracy that requires the representatives that run the
affairs of the country be elected by the people who give their mandate
to these representatives to take and make decisions on their behalf as
they find fit in line with their expressed manifesto and or party
principles and policies and then go and execute them. The idea is simply
this that let the representatives run the country with that public
mandate for a period and if the public did not like it they can then
vote these representatives out and choose another set. That does not
require the representatives to seek or call for a referendum on anything
since they have the political authority and absolutely valid authority
given by the people at the election.
If
we look at the political cultures across the globe and all the
functioning democracies we only see that conventions such as having
referendum happen and only expected to happen if a nation is having a
constitution or changing their constitution or something of that nature
or magnitude.
Why
would the public elect a set of representatives to represent them and
then ask and demand that they organise a referendum on any or all
issues?
Therefore, this referendum issue is used by political parties,
particularly, the opposition parties as means to put pressures on the
government party and score points.
A
government, elected and thus authorised by the people and thus by its
systems and mechanism of government, to run the country as best as they
could and they are the people who become to symbolise the House of
Parliament where the sovereignty of the nation is deemed to reside on
behalf of the people ( in theory, that people are the sovereign
together). That must be the case for the representative democracy to
function within the perimeter of the existing political philosophy,
political economy and in a way political validity or political morality.
Therefore, the representatives and thus, the government, must be left to
behave and act like a sovereign authority or power so to be able to
function properly. If Britain is, God forbid, attacked today, at this
minute, and we had a law that says the government can not enter into a
war whatsoever without having the Parliamentary approval first? What
happens then? We get invaded and occupied because our representatives
were not given that sovereign rein?
Further, when people say, may they be anyone including, at this moment,
the Torries and parties like UKIP, giving powers to Europe what do they
mean? What is Europe? European Union is a democratically elected body.
All the peoples of all the nations of European Union including the UK
population do elect the European Parliament that has increasingly been
achieving and getting more and more voice and power to oversee and
scrutinise the activities of the public servants and the system and it
will continue to grow stronger, better and more effective as time passes
(it may not be perfect but it is democratic all right and in it British
people have a say and they have representatives there to speak and
decide for them). So when people say power to Europe what do they
actually mean? And all the governments in the European Union Mechanism
including the Ministerial Council are all elected by their people and in
that people there are the people of the UK. So what is this fuss is all
about!
Britain must stop this wasting of time and scaring people about that
Bogus Boo of Europe. Britain is an essential and fundamental part of
Europe and Britain lead Europe’s Fights against fascism/Nazism and
against Hitler. Britain led Europe in the age of enlightenment, in the
age of industrial revolution, in science and technology, in business and
commerce and cultural and artistic fields and, therefore, Britain must
take part and offer all it has to Europe to secure this place so that
democracy prosper, human rights deepened, civil liberties and rule of
law and due process of law reaches deeper, understanding and
co-operation and mutual respect and regards between peoples widened.
There is no other way in the future for Britain. Nationalism has had its
day. Britain must now accept to be a partner and leader in Europe not
make all this pointless fuss about it all the time! It is rather
annoying, childish and immature. Britain has everything to gain from
being in an integral part of Europe than other countries of Europe to be
honest.
| Π.Λ|
Go Up
Concert
The Lovers of Rumi Concert
Nov 27
with Manikam Yogeswaren and
Sirish Kumar 27th November, 7.30 pm
“Celebration of Light“
Poems by Rumi, Neruda, TS Eliot, Kabir, Rilke,
Machado, Jimenez, Tagore
Music by Bach, Scriabin and improvisations
At Grosvenor Chapel
24 South Audley Street
London W1K 2PA
Tickets £10 at the door
Rumi Workshop Day & Evening Concert Dec 5
with Azima Kolin and Ann Marie
Terry
Saturday 5th December 2009
at The Abbey - Sutton Courtenay
Oxon OX14 4AF
Workshop – Portrait of Rumi through his poems
10 am - 5 pm - £60 / (£50 conc)
Concert - 7.30pm -£10
www.azimamelita.com
www.theabbey.uk.com
admin@theabbey.uk.com
Tel: 01235 847401
Go Up
Festivals
Nehru Centre,8 SthAudley St,London W1,16-20 Nov 09
Monday 16 Nov
6.15 pm: A Celebration
of New Departures/Poetry Olympics at Fifty with
Editor/Torchbearer Michael Horovitz & Fellow Troubadours
The two new
New Departures anthologies, Great-Grandchildren of Albion, and
The POE! (Poetry Olympics Enlightenment) Anthology, will be launched
with introductions, Q&A, poetry, song and music performances by the four
co-editors, Melanie Abrahams, John Hegley, Adam Horovitz and Michael
Horovitz, alongside a quorum of the contributing poets including
Ned Denny, Maya Naidoo, Rosemary Norman and James Wilkes. These
Anthologies, in tandem with a continuing 2009-10 series of Poetry
Olympics events around the world, are in celebration of all the fifty
years during which the New Departures bandwagons have been travelling
since Michael Horovitz founded them in his last year studying (& trying
to write) English Literature at Oxford (www.poetryolympics.com)
Free admission and refreshments.
Tuesday 17
November 6.15 pm:
Private
View of A Retrospective Exhibition of
Art-Works
by
Michael Horovitz,
Inauguration by Dame Beryl Bainbridge
Though better
known as a poet-singer-musician, Michael Horovitz has been making visual
art throughout his 75 years, and exhibited at the England, Celia
Purcell, Royal Academy, Ben Uri, Artists' International & FBA galleries,
among others. The artists who have helped inspire his visual experiments
include the illustrators of old Jewish Haggadas, Wm Blake, Marc Chagall,
Kurt Schwitters, Kenneth Patchen, R B Kitaj and Alan Davie – about whose
paintings Horovitz wrote a monograph for the Methuen Art in Progress
series in 1967.
Michael's
exhibition consists of examples of several aspects of his output: Bop
Art Paintings and Photomontages, Jazz Paintry, Picture-Poems, Prints and
Drawings. The critic John McEwen has remarked on Horovitz's "sensual
pleasure in paint for paint's sake, gritty use of collage, and
origination in specific experience . . . Painters in my experience
rarely like to admit to any influence, but Michael prefers the jazz and
literary way, where influence is put to creative use in the form of
variation, tribute and echo".
And his
fellow polymath Jeff Nuttall wrote that "Action painting, like the free
jazz with which it is so frequently equated, reveals a deep and obvious
division between the few practitioners who made it the vehicle for a new
kind of form, and those who were hiding in the avant-garde – the mass of
imitators who took advantage of the uncertain criteria surrounding a new
mode, and the few who leave significant work: Pollock, De Kooning,
Ornette Coleman, Archie Shepp – and Horovitz. He paints as he writes and
performs, in dancing gestures, and possesses a skill that is most
precious – conscious innocence, which takes wisdom to perceive".
Open until 20 November during office hours
The Nehru
Centre, 8 S Audley St, W1K 1HF www.nehrucentre.org.uk
For up to the
minute information on Poetry Olympics and New Departures, visit Facebook
(http://www.facebook.com/pages/Poetry-Olympics/130128323621)
or MySpace
http://www.myspace.com/michaelhorovitz
| Π.Λ|
Go
Up
21st Aldeburgh Poetry Festival 2009
6-8 Nov
The UK’s leading annual international contemporary poetry festival
celebrates its 21st year with an exhilarating line-up of world-class
poets. Aldeburgh is renowned for the quality of its programme – mixing
famous names, established poets, ‘well kept secrets’ and intriguing new
talent. With 49 events (15 entirely free) a weekend of ‘best words in
the best order’ is promised in Suffolk’s idyllic seaside town.
What makes the Aldeburgh Poetry Festival unique?
To borrow words by Tom Paulin – one of this year’s 20 featured poets –
Aldeburgh generates its own unique atmosphere “where ideas fly about and
bang into each other.”
Launched in 1989, it is the oldest festival in the UK dedicated to
contemporary poetry Aldeburgh attracts the UK’s largest and most
discerning poetry audiences each year (some 45,000 attendances since
1989)
Aldeburgh features an all-new line-up
each year (350 poets from 32 countries to date) Creative, quality
programming led by artistic directors who are also published poets
Aldeburgh combines Suffolk seaside magic with an international
reputation for culture
Highlights of 2009 …
Geoffrey Hill – There is no finer way to celebrate the Festival’s 21st
year than with the man many regard as England’s greatest living poet. A
rare reading from Geoffrey Hill, whose visionary complex writing demands
engagement and thought in a world where language is increasingly
instantaneous and disposable.
Philip Levine – One of the most significant US poets of the last 50
years appearing in the UK for the first time in 30 years. Levine’s
familial, social and economic portrait of working class America has left
a monumental testimony of mid-20th century American life. His poetry of
the assembly line finds a ‘voice for the voiceless’.
Albert Goldbath – One of America’s better kept secrets, Albert Goldbarth
makes his UK debut as Aldeburgh continues to blaze the trail for
intoducing American poets to UK audiences. Winner of the Mark Twain
Award for a poet’s contribution to humour, his poetry combines
pop-culture fanaticism with erudite research into the far corners of
modern culture.
Also joining the 21st celebratory Festival are the UK’s best loved
comic-poet John Hegley, cultural broadcaster Tom Paulin, Radio 4
Saturday Live regular Kate Fox, Italian Valerio Magrelli – launching his
first UK publication from Faber alongside his translator Jamie
McKendrick – Pakistani born poet, film-maker and artist Imtiaz Dharker,
Trinidadian writer Roger Robinson, senior British poet, playwright and
novelist Maureen Duffy.
On Saturday 7 November the Wonderful Beast Theatre Company will perform
‘YES’ a celebration of the life and work of one of the UK’s best-loved
funny, passionate and political poets – Adrian Mitchell. This
specially-created cabaret for Aldeburgh will feature Roger Lloyd Pack,
Diana Quick, Adrian’s widow and his daughter, Celia and Sasha Mitchell,
and a dazzling ensemble of dancers and musicians.
The weekend will also see the announcement of the winner of this year’s
Aldeburgh First Collection Prize – £3,000 plus an invitation to read at
next year’s Festival – and a reading by last year’s winner, young Irish
poet Ciaran Berry.
Full programme:
www.thepoetrytrust.org
Box office: 01728 687110, www.aldeburgh.co.uk (follow link to Aldeburgh
Poetry Festival)
The 21st Aldeburgh Poetry Festival will
take place in Aldeburgh, Suffolk from 6 – 8 November 2009. 49 Festival
events – 15 free – take place across four town centre venues, the main
stage being the historic Jubilee Hall where Benjamin Britten first
established his Festival of Music and the Arts in 1948.
The Aldeburgh Poetry Festival was set up in 1989 and directed for its
first decade by poet, editor and teacher, Michael Laskey. Naomi Jaffa,
also a published poet, has been Director since 1999. It has taken place
annually for twenty-one years, drawing poets and audiences from across
the UK and around the world. Today it is managed by The Poetry Trust –
one of the UK’s flagship poetry organisations – which in addition to the
Festival, delivers a year-round programme of live events, creative
education opportunities, courses, prizes, publications and a new digital
platform The Poetry Channel.
www.thepoetrytrust.org
Go Up
1st StAnza Virtual Poetry
Festival 2009 Nov 14
StAnza’s Virtual
Poetry Festival 2009 – a festival you can attend online wherever you
are!
The final arrangements have now been made for Distant Voices, StAnza’s
first virtual poetry festival, a free event which on Saturday 14th
November will be linking up poets and poetry from 12 cities and towns
across the world, from Mumbai to Sacramento, and streaming them live
into The Byre Theatre, St Andrews, StAnza’s usual hub venue, and also
via webcasts worldwide, so bringing the festival onto your computer
screen, wherever you are. Full details with the running order are now
available online at
http://stanzapoetry.org/virtual-festival.php , where you will
also find the webcast. (Webcast “stage” only available during event.)
Eleanor Livingstone,
StAnza's Artistic Director says: "It’s
shaping up to be an incredibly exciting day and I’m hugely grateful to
all our partner organisations and event organisers at the satellite
readings for their generous commitment to this project, and to the
international line up of poets who will be taking part – about 44 at the
last count – including some poets already familiar to StAnza audiences
and others appearing for the first time on our (virtual) stage. I can’t
list them all here, but there will be poetry to appeal to everyone, from
major literary figures and recent award winners, from teenage slammers,
from sound poets, performing poetry in English and also in a range of
other languages. Do check out the details online. Whether you join us in
person or online, for 10 minutes or for the whole 9 hours, you’ll be
very welcome, and I hope you enjoy what you see."
"This is a wholly innovative, experimental project. I’ve said it’s a
world-first in its scale and ambition, at least for poetry, and no-one
has contradicted me yet. I’ve also appreciated approaches from poets in
yet more countries also wanting to join in – even Australia where it
will be the middle of the night – though we couldn’t include them this
time. We’ll all have our fingers crossed that the day goes as planned,
but to some extent we have no idea what will happen. And that’s part of
the reason we are doing it. It might be smooth, it might be bumpy, it
will definitely be different. I hope you come along for the ride!"
http://stanzapoetry.org/virtual-festival.php
Go Up
Derwent Poetry Festival
2009 Nov 20
The Derwent Poetry
Festival launches nine new titles from Templar, including the four
winning pamphlets from the 2009 Pamphlet Prizes, by David Morley, Nuala
Ni Chonchuir, Paul Maddern and Dawn Wood. There are readings from the
annual anthology poets and first collections launched by Maggie O'Dwyer
and Katrina Naomi.
Nigel McLouglin, the new Editor of Iota reads from his new collection
Chora and Angela France will read from her collection published by
Ragged Raven Press.
Jane Weir reads from Walking the Block, her innovative poetic biography
of the handblock printers Phyllis Barron and Dorothy Larcher,
shortlisted and highly commended in the 2009 British Book Design Awards.
Longbarrow Press, based in Sheffield, present their recent work, and
several of the Iota team based at the University of Gloucestershire will
read. There will be displays from a variety of other organisations and
presses.
The Festival Bookshop will offer a wide range of second hand books for
sale as well as the full Templar list.
The Festival opens on Friday 20th November at 7.00pm with an awards
event and reception followed by a reading from Pat Winslow, Judge of the
2010 Templar Poetry Pamphlet & Collection Prizes. Angela Cleland, one of
the first winners of the Templar Poetry Pamphlet Prizes will introduce
and host many of the events.
There is also still time to book a free table to display material free
of charge at the festival and we are also happy to receive promotional
material related to your work or poetry in your own region or locality.
If you are interested in availing of this please email in the first
instance and we will get back to to you to make the necessary
arrangements.
The venue is the extensive Arkwright Suite at Masson Mills, Matlock Bath
on the A6, just south of Matlock Bath and within walking distance of
Matlock Bath and Cromford stations on the Derwent Valley Line, which
runs to Derby Mainline station.
The full programme can be viewed on the Templar website at
http://www.templarpoetry.co.uk/festival
Go Up
Poetrymore
Sharon
Harriott
Midnight Vigil
Tyres crunched over the
glistening gravel.
It was the thud of the driver’s door
That turned my head.
You strode into the midnight lamplight
Striking; in both looks and gait.
Sparks sprayed from your heels.
Dark plays along your jaw line, vulpine.
And, pausing at your gate you turn,
I glimpse a question on your brow.
Your hand on steel, mine on my heart
I slip back, back into the shadows
Leaving you in the light.
I’m keeping vigil at midnight.
Sharon
Harriott
Go Up
Rachel Finn
The fish out of
water walk, to match my leather jacket
Skating through the
West End
Airborne on wheels
I see
glittering
of lights.
And just like you,
even the neon signs
could stare the stars
out
dead cold blind.
You’ve always had a way
of
setting the skies on
fire.
So do it,
Like you do
As I wait here
patiently
miles away from home
But with you at the
centre
of my world.
I ran past you earlier
today,
dressed up as someone
different
right out of a
magazine.
I was ready to steal
the scene.
But as you do,
Just as the stars do,
They pass by me
unnoticed
Leaving me empty
Missing you,
In London’s city
lights.
Rachel Finn
Go Up
C R Ventura
Nina Simone Is At The Piano
Time comes tangled
In the grass hidden
Treading silent calypso
With headphones on
Nina Simone whispering
Sound shuffles straight
Flattening the grass
Staying out late
Later on, beach combing at night
For times that can become
Do you remember when?
And wasn't it great?
Fresh swept sand
Where castles used to stand
Still stuck on repeat
Nina Simone plays on
Then the rain always comes
Just when we're beginning
Stepping forth, out of showers
Honey added to hot water bubbling
And we all just lounge around
Missing all our trains and planes
Whilst the infuriated horns of waiting taxi cabs
Fail to induce any response
And Nina Simone plays on
C R Ventura
Go Up

Into the Sky-Ocean: Poets' Letter
Go Up
Write for Poets' Letter
Poets' Letter is looking for
writers/journalists for the following positions. These positions bring
no monetary gains but offer opportunities to writers, journalists and
editors to do something that they want to and like to do for nothing but
just for their own pleasure and sake and this is not their 'job'
since they will have their own 'jobs'.
Who can apply? Anyone so long they live
and work in London, have some time to spare to write and edit their
department's submissions and correspond and respond to correspondents,
be accessible to Poets' Letter Editor and the Team and every now and
than, able to meet up should that be deemed necessary.
Each editor must be fluent in their area
of expertise (and be willing to learn), must be able to write in their
area with command and grasp and be able to edit materials and work as
part of a team while being able to do so on his/her own initiative.
And most of all, they must love life and
show that they are not from the existing school of journalism and PR
that says, does, shows and practises 'been there, seen and done it kind
of cynicism', have a passion for anything to do with arts, have a
liking of the philosophical arena, some enthusiasm of poetry and
literature and they must, must, must, must be mad readers!
If you are this person, send your cv with
a covering email (that email will speak for you, not the cv) to
editor@poetsletter.com and
make sure to provide telephone and email address.
You must have your own computer (or can
manage to declare ownership of a computer whoever owns it!), internet
connection and telephone.
However, if you would like a chat as to
the position in which you are interested to apply and what it entails
call the editor on 07526 630 850 (evenings and weekends).
Book Reviews Editor
Audio Book Reviews Editor
Features Editor
World Politics Editor
Humanics Editor (read on Humanics
here)
UK Politics Editor
European Politics Editor
Geo-politics Editor
Philosophy Editor
Cosmography Editor (read on
Cosmography here)
Fiction Editor
London Editor
Theatre Editor
Festivals and Events Editor
Music Editor
World Music Editor
Go Up

The
Mad Hatter cordially invites you to a Tea Party with a difference in aid
of Oxfam’s Oxjam: Nov 14 The Circle Bar, 348 Clapham Road
Prepare yourself for a night of beautiful hats, cheshire cats,
tea-martini's, wonderful music and lots of special surprises!! Once
you've stepped through the looking glass who knows what will be awaiting
you......
The
Circle Bar (348 Clapham Road) will be transformed into a Wonderland
beyond your wildest dreams on Saturday 14th November as part
of Oxfam’s Oxjam initiative. A night filled with nonsense looms: have a
jig with Tweedledum and Tweedledee, follow the White Rabbit down the
rabbit hole, take tea-tini’s with the Queen of Hearts and of course,
beware the Jaborwock!!
An
eclectic bill of musicians has been confirmed so bring your dancing
shoes and prepare to be enchanted:
Summer Holiday
XFM favourite White Collar Weapons follow
www.myspace.com/whitecollarweapons
Extremely talented songwriter Elka
www.myspace.com/elkauk
Othay and the Wilderness will also
present traditional American folk from the early
1900's, Americana and blugrass standards, and DJ Jonny Clark will be
playing some Alice in Wonderland inspired remixes.
Tickets cost £5 and are limited so should be bought in advance from:
http://madhatterteapartylondon.eventbrite.com
Further
information and updates:
http://bit.ly/1a0ahb
ALL proceeds from
ticket sales will be given directly to Oxfam to help them in their fight
against poverty.
www.oxjam.org
Go Up
Gareth Trew: Poet of the
Month

Gareth Trew generally lives in a state of
great confusion. He has been writing for most of his life, though only
seriously for the past year; he currently has a few publications to his
name. As well as creative writing, Gareth is also keenly interested in
the performing arts, particularly acting. He is an avid reader and can
often be found with his nose in a book and a cup of tea in his hand –
especially when he ought to be doing something more productive!
In A Café
For A Coffee After Work
I sit amidst the clinking
of cups on saucers,
the sound of sips and slurps;
swamped by the buzz
of strangers' chatter,
I watch her – this waitress.
She moves about the room
like an automaton;
aims for an aloofness
she almost achieves,
but is belied by
her raging eyes.
Deep green and enormous,
they betray her melancholy;
scream an anger so intense
I nearly need to look away.
I wish she'd drop the tray she carries –
smashed china and scalding water
a chance to breach this distance.
I'd reach for her trembling hand,
offer words of reassurance
with my eyes and a snatch of smile.
Together we'd gather the broken bits
and bin them; soak up the water
with wads of blue paper; ignore
the noise of onlookers.
But, however brittle,
she's seamless as a sphere;
she drops nothing, and I
can only do the same,
my long-desired coffee
sitting stagnant in my stomach
like a stone.
Gareth Trew
Go Up

Poetry of Lights: Poets'
Letter
Go Up
Slambassadors UK 2009


Roses: Hazel Ventura
Website of the
Month:
Young
People's Writing Squads 
The Young People's Writing Squads aim
to locate gifted young writers - in both English and Welsh - in each
authority region and introduce them to some of Wales' leading writers,
and teachers of writing.
The Writing Squads have been developed
over the past decade by Academi in association with local authorities in
Wales.
http://www.writingsquads.org
Go
Up
Purely
Poetry
Somewhere there
is a poem: Femi Shekete
Some where there is a poem in my head
I want to be heard, to say it to sing it to believe it and recite it
Over and over again.
Somewhere there is a poem on my tongue in my mouth on
My hands there’s a poem of broken hearts of tears laughter joy
And even shame.
There’s a poem for
every soul lost or found for every winner or looser
Of every weeping child this poem lies in me I was born with it to change
The world with it but I can’t seem to find these words .am incarcerated
by words unknown.
Would I let that stop me would being a prisoner to my words unknown stop
me from being a star so bright?
I might blind your eyes NO IT WOULD NOT if these words I cannot speak
lay in me burn in my blood and
Dances with my soul and are carved on my heart then I will feel the
words and be the words and some day
Change this world.
Femi Shekete
Go Up
Book Reviews
Jetty View Holding: Poetry: Philip Ruthen
Jetty View Holding
Author: Philip Ruthen
Genre: Poetry
Pages: 93
Publisher: Waterloo Press
ISBN: 978-1-906742-02-07
Price: £8.00
Where to Buy:
www.waterloopresshove.co.uk
Jetty View Holding is Philip Ruthen’s first poetry
collection, published by Hove based publisher Waterloo Press. It
seems, these days in which poetry finds itself still in desperate
need to apologise for taking some publisher’s space, as though it is
necessary for a poet to publish his/her first collection to get some
establish poets’ blessings in words so to justify the ‘dare’ to get
his/her first collection published!
There are good words from established poets for
Philip Ruthen’s collection, too. But, do we really need some big
poets to write some words in favour of a ‘daring’ new poet to
publish his/her collection! No we surely do not nor does Philip
Ruthen or his collection. Jetty View Holding does what it says on
the ‘tin’; it offers poetry of a mature, self assured and confident
poet who has had ample exposures to the craft before he has gone to
the publishing a book phase of it!
What kind of poetry does Philip write? Well, here’s
the difficult bit to answer since it would be rather hard to place
him in a box and say he is this or that kind of poet for surely he
does not write like any other poets and precisely that is the reason
why he ought to have published this collection long before now!
Philip Ruthen writes poetry of life, to some people,
that is too vast, too vague and too unfathomable a concept yet he
carries on struggling with the wriggling life to fathom her out, to
shape her in, to wring and catch her and bring to us a tangible out
product? How does he do? Does he manage to succeed? Does he bring
the catch, surely, he copies the Old Santiago of The Old Man and the
Sea and does turn up with a catch which may not easily be put away
in a ticked box but, indeed, his are catches of tender tapestries of
life sung in a tune that can only be described as the sublime
sophistication.
“Think
Take off in your imagination
The siren call
To order
Take
no notice
look across the fields
of golden wheat
Change your view
as others crowd
to speak into your ear
Turn back
and tell the tale
rough and smooth
love to lose
to keep yourself
immaculate.”
Here’s the point of Philip Ruthen: he does not do
‘cheap champagne’, successfully avoid becoming a stand up comedian
and remains resolutely committed to his craft of depth and solemn
seriousness. He ‘tells the tale/rough and smooth’ and he knows
without losing there’s nothing to gain or to be.
Throughout this collection we have ample evidence of
solemn and beautiful poetry that creates a deep sensibility that is
so subtle, so delicate, so sublime that can not be offered in take
awaay sandwich package or a cappuccino cup. Philip Ruthen ought to
carry on writing poetry and publishing it not because he is easy but
because his sensibility is the one that one finds in an epic poet:
his poetic mindset is not after the sun set but that sunset that is
inhaled across the peninsula beneath the sky that sings out the
sunset like the way water sings through the blotting paper. Is it
easy a task? No, it surely, definitely not an easy task.
“You I sense are naked
arms flung behind your head-
this artifice; I can’t do justice
to the touch of you
an invitation”
(To float beside shoulders)
What is his tone of voice in which he speaks and
speaks so fluently? His voice is the expanding silence rejuvenating,
incoming horizon elaborating, the spring’s warmth only still held in
prospect and he still speaks once all the speaking has been done.
Easy Philip Ruthen is not, complex he is and surely the sublime is
only achieved through the lenses and layers interwoving life’s
tapestry. Jetty View Holding is the view of life before you, being
held: open yet mesmerizingly closed with only invitations to venture
in and out so to figure it out for yourself.
You want to eat a peach surely you can with Philip
but he will not offer you it chewed in and taste ticked: find yours
in your own way.
He writes of ‘deceptive solitude’ and ‘monsoons
between sheets’ and he finds his music in ‘the land is sunburst
blues above and kneels below the seasons each a thousand days’.
In 93 pages there are ample variations in themes and
tones where Philip takes his fancy in subjects ranging from The
Peppermint Lounge, Cardiff Sundays to Parity (NHS), from Seagull to
Utopia but what does not change is his efforts to elaborate on the
essence of why he writes poetry: he aspires and aims to achieve a
solidity of “the golden wheat” that is so sublime and delicate and
Philip is that poet who finds, on each occasion, a way and means,
and adjust his tools and tone as a master craftman, the variations
and divergence of that solidity of “the golden wheat’ of life that
is ever so liquid, ever so motional and playfully running away and,
invincibly and intricately unfathomable to our grasp and he sings it
in leisure and finds the pains and joys so to bring about the Jetty
View home and he keeps it still for it is now a piece of art: poetry
of the whole, of life. He crafts granite of life and makes poetry
sing beautiful lyrical joys of multiple complexities bringing home
the epic nature of a modern poet who must seek and sing what he
breathes and Philip does do so of life for poetry masterfully.
Waterloo Press must be congratulated for bringing this collection
out and it would be a loss for poetry loving people if they failed
to read and appreciate this poet who is the poet of the whole of
life.
“I left, with my name
on Florentine verandas
and the porticoes of Valencia
in Dar es Salaam,
white you tended the elderly relation
I lay on the long hill
waiting for the thrill or threat of death
to pour anger’s smoke
into the new columns of Delphi
before arriving in Brasilia,
via Rome-
where there are hundreds of named worlds to wait for
then fall, to Sao Paulo; I find poste restante,
your calling cards are travelling, travelling”
Poets' Letter
Go Up
Foyles Young Poets of 2009

Phil Coales, Bradley Cutts, Hattie Grunewald, Dom Hale, Bryony Harrower, Leon
Yuchin Lau, Nai Liu, Hannah Locke, Karina McNally, Megan Pattie, Phoebe Power,
Adham Smart, Phoebe Walker, Melissa Whittle and Jonathan Wilcox are winners in
Foyles Young Poets of 2009 Competition run in association with The Poetry
Society. For more
Go Up
Society
Breezer have conducted
some fascinating research into the complexities of women’s friendships
which has thrown up some fascinating insights I thought you may like to
feature in your news.
Time chatting with friends as pleasurable as sex: Psychologists claim
that time spending time with best friends is as pleasurable as having
sex as it can release the same endorphins as those released when having
sex with a partner. Leading psychologist, Jennie Trent-Hughes adds, ‘We
have our friends to make us feel good. Nothing releases the old
endorphins – natural happy chemicals that you release during sex and
other times of elation – like laughing and having a good old, fashioned
gossip. A true friend is there to talk to and share with, making us feel
lighter in both head and heart.”
Friends trust their
mates advice but refuse to work with them: 75% of women said they would
trust their best friend to make important life decisions for them
including choosing a partner. 75% of women said they would also only
move abroad for a job promotion if their best friend came with them.
However, out of this group only 14% said that they would actually
recommend their best friend for a job in the same workplace as them due
to concerns that their friend would cause distractions, friendly rivalry
could turn sour and they could show them up in front of their boss.
Money matters: Money fronts the agenda for the favourite topic of
conversation knocking relationships, dieting, shopping and celebrity
gossip of the top spots. 79% of women say they prioritise time with
their friends as they use this time to off-load and share their troubles
and cheer themselves up.
Regional Findings
The notion that you can count all of your best friends on one hand is
false, with over a 1/3 of women in the UK claiming they have more than 5
best friends
Scottish girls are five times more likely to discuss sex with their
mates than those in the Midlands
Girls in Wales are the more career focused and are twice as likely to
discuss their jobs when chatting with mates than those in Southern
England. However, Londoners are the most competitive career wise- they
are the least likely in the UK to recommend one of their best friends
for a job at their work place
Northern girls are the friendliest bunch, they are most likely to have
eight or more best friends in the whole of the UK. Girls in the south
have the least amount of best friends.
Breezer’s survey into
friendship shows that regularly getting together with friends is the key
to a happy life for the nations women.
The old saying that you can choose your friends but you can’t choose
your family has never been so relevant, as the latest research into how
the nation’s women view their friends reveals that having people to
share with can help you live a happier, more balanced lifestyle. With
three in four women (76%) claiming to be cheered-up after talking to
friends about their problems, and 73% saying that catching up on all the
gossip and having a good laugh makes them feel more relaxed, it’s clear
that in order to deal with the demands of modern life, getting together
with friends is essential.
Nurturing trust is important too, and 55% of women claim they would let
their best friend choose a blind date for them. Those surveyed said that
sharing time with friends on a regular basis ensures that they have
someone who will listen to them and who makes them feel valued and
wanted.
Leading psychologist Jenni Trent-Hughes confirms this: We have our
friends to make us feel good. Nothing releases the old endorphins –
natural happy chemicals that you release during sex and other times of
elation – like laughing and having a good old, fashioned gossip. A true
friend is there to talk to and share with, making us feel lighter in
both head and heart.
Breezer conducted the extensive research into friendship and its impact
on happiness and well-being, to find out exactly how Britain’s women
release the ‘friend-orphins’ and relax after a tough week.
Arts
Arts Arts Arts
Yoko-D’Holbachie: Living in Your Dreams Exhibition
On
display: November 19th to the 30th
Private Opening Reception: November 18th, 2009 from 5pm to 9pm.
Living in Your Dreams features Yoko's largest body of solo work to
exhibited. This new collection aims to interrupt the meaning of dreams,
and the spirits that journey through our subconscious. At first glance
the viewer is faced with colourful and strange creatures wondering in a
neon world, yet hidden under her externally pleasantly painted lands
lays something dark and mysterious.
The
cartoon like figures of animals and children appear as a cross between
Japanese anime and western pop icons are painted with a truly diverse
range of colours. With a sharp attention to detail, a quality that makes
her paintings stand out Yoko d'Holbachie demands your attention as she
takes you on a 21st century psychedelic journey into dreams. Once you
see any of her works, you will never forget them due her unique
interpretation of the world and the strange creatures she creates.
Since early 2005 Yoko's paintings have been exhibited in galleries in
Asia, America and parts of Europe, creating new fans and admires where
ever her work is showcased. Yoko's work has been used for Album cover
designs, Magazine covers and computer games. She was featured on the
cover of Hi-Fructose magazine in their VI issue.
Westbourne Studios
Acklam Road, W10 5JJ
London. U.K
www.londonmiles.com
Shade of
Things to Come Exhibition
END OF THE
LINE PRESENTS 'SHADES OF THINGS TO COME'
TUESDAY 25TH - SUNDAY 29TH OF NOVEMBER 2009
www.shadesofthingstocome.co.uk
AN EXHIBITION
FEATURING AN ECLECTIC LINE-UP OF EUROPEAN AEROSOL ARTISTS
ARYZ / BISER / BOM.K / DOES /NYCHOS / PROBS / RABODIGA / TIZER
OFFICIAL LINE-UP FINALIZED:
'Shades of things to come' is hotting up as End of the Line confirm the
involvement of the grotesquely beautiful styles of Bom.K from France and
the femme fatale talent of Rabodiga from Spain. All but one of the
artists will be in London for 10 days to paint new and original artworks
specially for the exhibition. Limited edition prints and other 'covetables'
by all the artists will be available on the opening nights and during
the show.
THE LINEUP
ARYZ: INCREDIBLE CHARACTER ARTIST WITH AN UNCANNY ABILITY TO
GO BIG FROM BARCELONA, SPAIN.
BISER: MIXED MEDIA ARTIST & TOY SCULPTOR FROM DEEPEST, DARKEST
BLACK FOREST, GERMANY.
BOM.K: INTRICATE & EXTRAORDINARY ARTIST WITH BRUTAL BUT
BEAUTIFUL SUBJECT MATTER, PARIS, FRANCE.
DOES: ULTIMATE LETTER STYLER WITH INCREDIBLE FREEHAND
DEXTERITY HAILING FROM SITTARD, HOLLAND.
NYCHOS: UNIQUE STYLED AEROSOL CARTOONIST FROM VIENNA, AUSTRIA.
PROBS: MASTER OF MANY STYLES AND THIRD DIMENSIONAL TECHNICIAN,
LONDON, UK.
RABODIGA: TALENTED YOUNG FEMALE ARTIST WHO HOLDS HER OWN WITH A
DELICATE AND REFINED STYLE, ZARAGOZA, SPAIN.
TIZER: “LONDON’S ELDER STATESMEN OF GRAF”, BRINGING THE LOCAL
FLAVOUR, LONDON, UK.
End of the Line presents ‘'Shades of Things to Come'’, an exploration
into the contemporary world of freehand graffiti. We have selected
incredible artists from across europe who really push the boundaries of
freehand aerosol art. Each artist has a unique, individual style and
represents a different discipline of dirty handstyles and technical
dexterity.
The Maverik Showroom on Redchurch Street in Shoreditch will play host to
this not-to-be-missed event. The entire gallery will be completely
transformed with full-scale artwork, canvases, installations, sculpture,
productions in mixed-media and artists in residence painting live over
the course of the exhibition.
End of the Line is a creative studio that curates independent
underground art events, and specializes in painting quality large-scale
aerosol murals. EOTL have delivered concepts for International leading
brands including the World premiere of Paramount's blockbuster film The
Watchmen, the launch of Kia's Soul, Capcom's Monster Hunter Freedom
Unite and painted Casio's Flagship store on Carnaby Street.
MAVERIK SHOWROOM
68-72 REDCHURCH STREET
SHOREDITCH, E2 7DP
WWW.MAVERIKSHOWROOM.COM
GALLERY OPENING HOURS :
WEDNESDAY 25TH NOVEMBER - FRIDAY 27TH NOVEMBER 12PM - 8PM
SATURDAY 28TH NOVEMBER - SUNDAY 29TH NOVEMBER 12PM - 5PM
Deptford Festival and
Exhibition Nov 27
Camila Fiori has been
asked to develop a project in connection with 'Deptford Update' - a
festival and exhibition Commissioned by Design for London in partnership
with London Borough of Lewisham. What she will be doing will be quite
different to the exhibition as it is primarily an architecture and
development project with drawings and models - details to follow but she
is hoping to think interactive brain-storming on dreams for the area...
injecting some fun into it and getting people actively involved in
improving the area. She is meeting the organisers this week to discuss
the finer details and will surely keep interested informed. The likely
date for that is:
Friday 27th 5-8pm
APT Gallery,
Harold Wharf, 6 Creekside,
Deptford, London SE8 4SA
Go Up
The
Light Shoreditch Showcases New Works of Five Artists
Edward Coyle - Merlin Ramos - Frederick Sorrell
Benedict Siddle - Matthew Harriman
The Light, at 233
Shoreditch High Street, East London is showcasing new work from five
contemporary artists whose art explores aspects of ‘City Life’ through
paint, sculpture and print. The exhibition, which is open until The 27th
November 2009, is free to visit and open to the public. 25 pieces will
be on display, and all work is available for purchase, priced from £300
to £3,000.
Oliver Williamson,
Owner/Manager of The Light commented: “We are delighted to be hosting
this exhibition which not only supports exciting new artists, but
introduces their work to an audience, in an environment to which both
parties would not normally be exposed. Given the enthusiastic response
we have had from our customers to this our first building wide
exhibition we look forward to further future collaboration.”
Edward Coyle
studied Fine Art at
Newcastle University before gaining a Post Graduate Diploma from The
Prince’s Drawing School, London, where he is now Artist in Residence. He
was shortlisted for Bloomberg New Contemporaries 2009 and voted in the
top ten student artists by the Editor of Saatchi Online 2008. Edwards’s
paintings rely on sampled architectural imagery taken from digital
images, photography, direct observation, memory and imagination. The
resulting works show a flux of struggle between composition, image and
representation and also demonstrate an oscillation between the temporary
and constant.
Merlin Ramos
studied Fine Art at
Falmouth College University, Cornwall, before gaining a Post Graduate
Diploma from The Prince’s Drawing School, London, where he is now Artist
in Residence.
He has exhibited in
Madrid, Dublin and London, including Christie’s in 2006. He has also
exhibited with Daydream magazine at the Carnaby Project pop up galley.
In 2009 he was asked to display pictures at Windsor Castle for a dinner,
that he was invited to, thrown by Prince Charles- he sold all three
pieces. His paintings contemplate the urban environment and the way
structures interact with their surroundings.
Fred Sorrell
studied Fine Art at
Falmouth College University, Cornwall. He has featured in Art World
magazine article as on the best student shows in 2008. He has worked and
exhibited for Daydream Magazine, including exhibitions at The Carnaby
Project, a pop up gallery space, and M&CSAATCHI in Golden Square. He was
recently an Artist in Residence at the TAKT Residency in Berlin and has
also worked in New York and Venice.
His paintings
reflect contemporary aesthetics of modern urban life, incorporating his
joy for painting and focusing on minute details alongside bold, gestural
marks.
Benedict Siddle
studied illustration at Kent Institute of Art and Design, Maidstone. He
works as freelance illustrator making prints and designing T-shirts for
his own brand ULTRAMEGA. His work is a commentary on the absurdities of
the world, with constant references to politics, popular culture, sex,
death and poetry. One of his key influences is the American poet Allen
Ginsberg.
All his prints are handmade in order to give each edition a unique
appearance.
Matt Harriman
studied art at
Brighton Art College. He has exhibited previously at Grand Parade
Gallery, Brighton, M&C Saatchi, Soho. He creates abstracted sculpture’s,
conveying the energy and flow of urban spaces. His work has developed
from its origins in graffiti into dynamic representations of modern
urban spaces, using vibrant colours and dynamic forms, while his use of
materials provide a sense of artifice between the work and surrounding
space.
Go Up
Theatre Theatre Theatre Theatre
Shraddho at Soho
Theatre: Till Nov 21

By Natasha Langridge
Directed by Lisa Goldman
29 October - 21 November 2009
7.30pm
The Games spell eviction for the Romany Gypsies. 17 year-old Pearl
Penfold is one of them. As the bulldozers close in, Pearl falls in love
with Joe, a boy from the local estate. Can Joe prove himself to Pearl
and her family before they are gone forever?
A heart-warming love story by new talent Natasha Langridge, directed by
Soho Theatre's Artistic Director Lisa Goldman
Designer: Jon Bausor
Lighting Designer: Philip Gladwell
Sound Designer: Matt McKenzie
With Alex Waldmann, Jade Williams, Miranda Foster, Anna Carteret and Jim
Pope.
http://www.sohotheatre.com
Moliere or The
League of Hypocrites 24Nov to 19 December at the Finborough Theatre

The first London revival
in 25 years.
Jean-Baptiste Molière is on top of the world – at the centre of Louis
XIV’s court, author of countless popular hits, and in love with a woman
half his age. But what the audiences see as sparkling satire, the
authorities see as dangerous and subversive. As soon as he takes a wrong
step, his fall from grace is assured.
Assailed by rumours and tracked by the secret police, Molière's private
life starts to fall apart. In this world of whispers and distortions,
everyone is vulnerable. But not everyone has a theatre to run.
Inspired by real-life events and written under the shadow of Stalin,
Molière is about a man's fight to keep his integrity under a repressive
regime.
Playwright and novelist Mikhail Bulgakov (1891-1940) was the most
original writer of the Stalinist era, turning out outspoken, satirical
works, even as his contemporaries were arrested and killed. He is
probably best known for The Master And Margarita, published 26 years
after his death and now the favourite book of four out of five Russians.
He also wrote the plays The White Guard (which Stalin saw seventeen
times) and Black Snow, a savage spoof of Stanislavsky and his Method
which was inspired by Bulgakov’s difficulties in getting Molière staged.
Productions of Bulgakov’s work in the UK have included Black Snow and
Flight at the National Theatre, The Master and Margarita at Chichester
Festival Theatre, and The White Guard for the Royal Shakespeare Company.
Molière was last seen in London in 1983, at the Barbican’s Pit Theatre,
in a Royal Shakespeare Company production starring Antony Sher.
Translator Michael Glenny (1927-1990) was one of the most prolific and
highly respected translators of Russian works in the 20th century. He
was professor of Russian studies at the Universities of Birmingham,
Southern Illinois and Bristol. Glenny translated ten works by Bulgakov,
including Black Snow, The White Guard and The Master and Margarita. His
other translations include works by Solzhenitsyn, Nabokov, Eisenstein,
Gogol, Dostoevsky, Gorky and the first volume of Boris Yeltsin’s
memoirs.
Director Blanche McIntyre is the first recipient of the Leverhulme
Directors’ Bursary, and is currently Director in Residence at the
National Theatre Studio and the Finborough Theatre. Directing includes
Bulgakov’s The Master And Margarita (Greenwich Playhouse), Three Hours
After Marriage (Union Theatre), Wuthering Heights (National Tour), The
Revenger’s Tragedy (BAC), Birds (Southwark Playhouse), Doctor Faustus,
The Devil Is An Ass, The Strange Case of Dr Jekyll And Mr Hyde As Told
To An Inmate Of Broadmoor Asylum (White Bear Theatre), and Lost Hearts,
The Invention of Love and Cressida (Edinburgh Festival).
Alex Marker is Resident Designer of the Finborough Theatre where his
acclaimed designs have included Soldiers, Trelawny of the ‘Wells’,
Hortensia and the Museum of Dreams, Albert’s Boy, Lark Rise To
Candleford, Red Night, The Representative, Eden’s Empire, Love Child,
Little Madam, Plague Over England, Hangover Square, Sons of York,
Untitled and Death of Long Pig.
The cast includes:
Justin Avoth’s many credits include Jaques in As You Like It for Tim
Supple at the Curve Theatre, Leicester, this summer, and Cassio in
Othello for Greg Doran at the Royal Shakespeare Company, as well as
roles in Dead Hands, 13 Objects and Gertrude – The Cry (The Wrestling
School), Edward II (Shakespeare’s Globe), The Ash Girl, True Brit
(Birmingham Rep), Venice Preserved (Almeida Theatre), Nathan The Wise
(Hampstead Theatre), Chains, De Montfort (Orange Tree Theatre,
Richmond), The Government Inspector (Harrogate Theatre), King Arthur
(Royal Opera House, Covent Garden), and A Midsummer Night’s Dream (Royal
Exchange Theatre, Manchester). Television credits include Midsomer
Murders, Merlin, Spooks, Judge John Deed and Coronation Street.
Portia Booroff’s credits include Phedre (National Theatre), Six
Characters In Search Of An Author (Gielgud Theatre), The Deep Blue Sea
(Theatre Royal Bath), Hamlet (Creation Theatre Company) and The
Allotment (National Tour). Film includes Night Junkies and Room 36.
Television includes The Bill, Bugs and The Waiting Time.
Paul Brendan’s recent credits include Complicit, The Norman Conquests
(The Old Vic), A Month In The Country, Antony and Cleopatra, Julius
Caesar (The Tobacco Factory) and The Threepenny Opera (Bristol Old Vic).
Tom Davey’s credits include roles in A Midsummer Night’s Dream, Measure
for Measure, Hamlet, Twelfth Night, Love’s Labour’s Lost, The Comedy of
Errors (Royal Shakespeare Company), Rosencrantz and Guildenstern are
Dead (Royal Shakespeare Company at the Novello Theatre) and Much Ado
About Nothing (Shakespeare’s Globe). Television includes Victoria Cross,
A Serpent In Eden, Plenty Of Fish and The Ruby In The Smoke.
Mark Desebrock graduated from Guildhall School of Music and Drama this
summer. His credits already include the lead in A Little Neck (Hampton
Court Palace) and Love’s Labour’s Lost (Shakespeare’s Globe, Australia)
and the feature films Bright Star and The Course.
Emma Jerrold’s credits include Macbeth (National Theatre), Miss Julie
(Bristol Old Vic), The School for Scandal (Redgrave Theatre, Bristol),
The Changeling (Queen’s Theatre) and numerous productions for the Gate
Theatre. Her television credits include roles in EastEnders and Bad
Girls.
Antonia Kinlay’s credits since leaving RADA include the lead in The
Eternal Not (National Theatre) and Arden of Faversham (Shakespeare’s
Globe). Television credits include Consuming Passion and How New
Amsterdam Became New York.
Gyuri Sarossy’s numerous credits include Hangover Square at the
Finborough Theatre as well as Romeo and Juliet (Royal Shakespeare
Company), Twelfth Night, Uncle Vanya (Donmar Warehouse), Balmoral, Man
and Superman, Galileo’s Daughter, Don Juan (The Peter Hall Company),
Coriolanus, Macbeth (The Tobacco Factory and Barbican), The
Hypochondriac (Almeida Theatre), Rope (Watermill Theatre, Newbury), The
Promise (Tricycle Theatre), Romeo and Juliet (Leicester Haymarket) and
Luther (National Theatre). Film credits include Another Life and After
Death. Television credits include The Bill, Holby City, EastEnders,
Judge John Deed, Egypt, Casualty, Doctors and Kavanagh QC.
Kett Turton’s film credits include work for Warner Bros., United
Artists, MGM and 20th Century Fox including A Simple Curve, Blade:
Trinity, Firewall, Gypsy 83, Rollercoaster, Saved! and Walking Tall.
Television credits include The X Files, Dark Angel, The Five People You
Meet in Heaven and series regulars or leads on 24, Dead Last and Stephen
King’s Kingdom Hospital.
The Leverhulme Trust was established in 1925 under the Will of the first
Lord Leverhulme. It is one of the largest all-subject providers of
research funding in the UK, distributing funds of some £50 million every
year. For further information about the schemes that The Leverhulme
Trust fund visit their website at www.leverhulme.ac.uk
www.finboroughtheatre.co.uk
Go Up
Submit to
Poets'
Letter Online: deadline: 20th of the Month (Posted on the 1st of the month)
Poets'
Letter Print: deadline: 15th of the month (Published on the 1st of the month)
Poets'
Letter Youth Lit:
deadline:
7th of the Month (Posted on the 14th of the month)
Poets'
Letter Fiction:
deadline:
15th of the Month (Posted on the 21st of the month)
Poets'
Letter Philosophia:
deadline: 30th of the Month (Posted on the 7th of the Month)
Go Up
Go Up |