World Politics  World Politics World Politics

How do you solve a problem like Radovan Karadzic?

There are criminals and there are those called war criminals and stand accused at the International Criminal Court in The Hague Redovan Karadzic, who made a name for his absolute hatred and brutal determination to annihilate an entire population by simply bombing, shelling and burning them. He is accused and charged with multiple counts of war crimes including genocide (Srebrenica Genocide) against Bosnian Muslims, Bosnian Croats, and other non-Serbs population during the Siege of Sarajevo.

Public memory is a shallow and short term thing. It is probably worse than the memories of fishes since new things happen and the public seem to move on conveniently forgetting what had happened and as time passes by and dust begins to gather there come out people, bigots, who stand up and say: these things are made up. They never happened.

Like those people and there a lot of them who stand up and say, as if they could wipe out history, oh, the Holocaust never happened! These are the people who are as dangerous as the criminals that massacred the millions of innocent people  since they share the same hatred and burning desire to bring about the same brutal barbarity, bloodshed and slaughter to innocent people simply because they are different than those that seek to destroy them by force of violence.

Karadzic apparently not co-operating with the Court and asked the court to let him have 10 months to prepare a defence. The Hague will continue and this trial will bring fresh heartaches, pains and nightmares back to all those people who were at the receiving end of what Karadzic and his followers did and, though, most of them perished in that process but the survivors who have suffered themselves and most of all lost loved ones, in cases, entire family, entire blood lines of people got wiped out, will have to relive those nightmares again.

It is simplistic, however, to try and bring criminal justice to seek resolution or justice in such situation. Karadzic was Karadzic not because he forced his own people to support him. He became what he did, achieving that position and powers because people supported his loathsome, abhorring and brutal views of life and its priorities; not that all of the Serbs supported his madness (that has not  and never will be the case in any country). They are the people, those supporters, who made him. It is not that he was not responsible for what he did. Like Hitler he is responsible but it seems we want simplistic over generalisation.

It is easy to say that Karadzic is a criminal and must pay. Indeed, he must pay but until we take a deeper look and ask ourselves why is this the case that when such a criminal is tried that he enjoys hatred outside the country in the outer greater world and in the place where he had committed the crimes but that he enjoys support and solidarity among his people (not all the people of course) who still think he was and, still is a hero who went and fought for them? That is the question that we must ask.

Why and what make the general member of a particular population choose such a position and fail to see what’s wrong in believing and acting to bring that belief into violent and brutal reality supporting people like Karadzic or Hitler? And even after the massacre and slaughter still, how people find it easy to continue to believe in such a thing, maintaining that burning hatred?

These are the serious issues that the world, Europe and the Balkans must learn to deal with. Regardless of what happens at the Hague and to Karadzic this is not going to resolve this situation and hatred, resentment and continuous renewal of perpetual hatred. There must be other ways to approach this darkest side of human minds that feed themselves in ignorance, bigotry and absence of natural regard and respect for the sanctity of life and humanity and a sense of violence raging on which monsters like Hitler, like Keradzic, like Pol Pot, like Saddam Hussain and others water their hatred and passion and lead the people to unimaginable horrors.

This is true in the Balkans, in the case of Hitler and all other monsters in history and on the current world stage (we do not have the means, courage or mechanism to bring and charge them with war crimes!) but we have never dealt with it. As human beings we have never dealt with the real issues but took the simplistic and over generalised view and learnt to parrot blames and said: well, Hitler was a monster. Indeed, he was but all those little monsters of hatred and bigotry that lived inside us, in all the peoples of the world, albeit in pockets, in all the nations of the world still remain inside us and given any chance and opportunity they begin to come out and there are always going to be people like Karadzic, like Bin Laden who will come out and call those little monsters out to go and kill. That is why we are seeing extreme racist and fascist groups are rising their ugly head across Europe, in Russia, in China, in Africa, in Asia and a lot of other places.

We must learn to deal with these little monsters as this big monster faces the trial in The Hegue. This by no means is going to resolve anything at all. | Π.Λ|

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 Opposition to War in Afghanistan Rises Sharply


A Channel 4 News You Gov poll published today shows that opposition to the war in Afghanistan has risen sharply in the past fortnight.

Two weeks ago, 42% of the British public thought the Taliban could be defeated, while 48% thought they could not. Now, following the deaths of five British soldiers yesterday and President Karzi’s much-challenged victory in the recent election, just 33% of those questioned last night think the war can be won, while a clear majority, 57% think victory is no longer possible.

As a result, 35% now think all British troops should be withdrawn immediately – compared with 25% two weeks ago. Only 20% think they should remain in the country “as long as Afghanistan’s government wants them there” – down from 29% two weeks ago.

Women are especially keen to see British troops come home: 40% think they should be withdrawn immediately, while just 13% think they should stay as long as they are needed. Men divide more evenly: 31% want them home immediately, while 28% think they should stay as long as they are needed.

These figures are likely to concern MPs. Public opinion lacks the power to force Parliament to end Britain’s involvement; however, no Government likes to commit troops to an extended conflict, and a rising death toll, with so little public support.

All figures, unless otherwise stated, are from YouGov Plc. Total sample size was 1,021 adults. Fieldwork was undertaken between 4th - 5th November 2009. The survey was carried out online. The figures have been weighted and are representative of all GB adults (aged 18+).
 

Submit for the Special Christmas Issue Poets' Letter Print Magazine. Deadlinel: November 15.

editor@poetsletter.com

Poetry Sound Crew at The Tank Gallery: Dec 3


December 3, 7.30 p.m
Tank Gallery, The Ladywell Tavern,
80 Ladywell Rd SE13 7HS
£3 - on the door

Join Sound Crew, a group of eight prize-winning poets, for an evening of recollections and portraits, enquiry and curiosity, musicality and rhyme. The Crew are: Allison McVety, Josh Ekroy, Judy Brown, Maggie Sullivan, Norman Staines, Philip Ruthen, Robbie Burton and Valerie Fry.
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The UK Loves Him: T. S. Eliot Nation's Favourite Poet

After more than 18,000 votes were cast and counted on BBC's Poetry Season website, it has now been official that TS Eliot is nation's favourite poet while John Donne managing to come second and Benjamin Zephaniah third while W. B. Yates came 7th and Keats succeeded in becoming the 9th. The top ten of poets' running order is as follows:

4. Wilfred Owen

Philip Larkin

5. Philip Larkin

William Blake

6. William Blake

WB Yeats

7. WB Yeats

John Betjeman

8. John Betjeman

John Keats

9. John Keats

Dylan Thomas

10. Dylan Thomas

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For more www.bbc.co.uk/poetryseason

Autumn Avenue: Poets' Letter

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Poets' Letter Youth Lit Magazine is live and kicking

Photo: Hayley Madden

Poets' Letter Youth Lit has always been part of Poets' Letter Magazine but from October 15th Poets' Letter Youth Lit will become a magazine of its own with its own website at http://www.poetsletteryouthlit.com edited by Kathleen van Geete. First issue of the Poets' Letter Youth Lit will be posted on October 15th (October being Poetry Month on which we celebrate Poetry Day). Poets' Letter Youth Lit aspires to offer home and a platform to young writers, poets, artists, thinkers and readers of UK and beyond. It will try to cater for the young people between 13 and probably up to 30 which is a big range.

Here is the open invite from the Editorial Team of Poets' Letter Youth Lit for submissions of all kinds of creative writings including of course poetry.

Submissions deadline

Poets' Letter Youth Lit: 7th of the Month (Posted on the 14th of the month)

For submissions guidelines please visit http://www.poetsletteryouthlit.com

Send submissions to editor@poetsletteryouthlit.com

Everyone is invited and encouraged to spread the words to all the young writers, poets, thinkers, artists and readers they know at schools, colleges, universities and youth settings. Please spread the word that Poets' Letter Youth Lit is here for them to celebrate their writing and creativity.

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Poets' Letter Fiction Magazine's Debut November 21

Poets' Letter has always published fiction and will continue to do so. However, from November this year, Poets' Letter Fiction Magazine will begin its own journey as a monthly magazine for English Fiction.

Poets' Letter Fiction Magazine is going to be edited by Poets' Letter Deputy Editor Sharon Harriott while Munayem Mayenin is going to be the Leadeditor. The opening issue of Poets' Letter Fiction Magazine will be published on November 21st and on the same day of each month. Get submitting!

editor@poetsletterfiction.com

http://www.poetsletterfiction.com

Poets' Letter Pholosophia Magazine's Debut December 7

Poets' Letter has always published Philosophical writings and will continue to do so. However, from December 2009 Poets' Letter Philosophia will begin its journey as a new monthly Philosophy Magazine on its own website. Poets' Letter Philosophia will always be posted on the 7th of the Month opening issue being posted on December 7th 2009. Poets' Letter Philosophia will be the Church of Thoughts, the Nursery of Ideas and Cradle of Lights and will raise and water questions to landscape a future where humanity will rise to call itself One and take up its home in this infinite Universe with nothing but dreams to choose continuously without a Diet choosing for it. Get submitting!

editor@poetsletterphilosophia.com

http://www.poetsletterphilosophia.com

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Watch London Poetry Festival 2009 Video on Youtube

Watch the 5th London Poetry Festival 2009 Video on Youtube

 http://www.londonpoetryfestival.com

The 6th Festival will take place in August on the extended weekend of 6-9 August 2010 (Friday to Monday).

Buy a copy of the London Poetry Pearl

5th London Poetry Festival 2009

Festivals Festivals Festivals Festivals Festivals

Hazel Ventura

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Events Events Events Events Events Events

Angel Poetry and Loose Muse Go Gothic Nov 19th

A night of Gothic Ghost Stories and Tales from the Crypt, on Thursday 19th November. Stratford

With the nights growing longer, and the darkness coming earlier, this seems like an excellent time to let you know about a special collaboration with Loose Muse and Angel Poetry – A night of Gothic Ghost Stories and Tales from the Crypt, on Thursday 19th November.

And what makes this night even more special is the fact that it’s a benefit gig for Discover, the children’s arts centre which has a focus on stories, literature and creativity, based in Stratford E15.    I’m hoping that we can have a ghoulishly wonderful night with some truly horrible tales from the crypt, and raise some money for our Children’s Forum activities.  So if you want to come along, entry will be a minimum of £5, more if you can afford it – give me a call to book your tickets in advance….it’s bound to be a chillingly popular night. 

And if you’re not able to make it on the night but want to make a donation anyway, make your cheques payable to DISCOVER, and send them to me (Agnes) here at Discover, 1 Bridge Terrace, Stratford, London E15 4BG.

As well as a plethora of amazing stories from some of London’s best Spoken Word artists, there’ll be a small prize for the Best Dressed Ghost or Ghoul…so come as fully frocked as you can and join in the fun.

Contact agnes.meadows@discover.org.uk

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 Utter Poetry November Poetry Events

Sat 7th November - Writing Workshop- Yvonne Plowright. 11am - 1pm,
Community Room (inside teenage library, 2nd floor) Wood Green Library,
Wood Green High Road, N22 £2/free if it’s your first time


Thurs 12th November 2009 19:00 'UTTER!' FILM @ The Whitechapel Art
Gallery - Open mic special: read two pieces, one of which should
ideally reference or be inspired by a film, sign up 6.30pm - 7.30pm
showtime. Winner wins a special prize & a place in the Paid Gig final.

Special Film buff guests: Simon Barraclough & the wonderful Nick Helm
(replacing Richard Sandling)
Whitechapel Art Gallery, tube: Aldgate East, Free/whip round.
http://bit.ly/utterfilm


Thurs 19th November: ‘Utter!’ PAID GIG CONTEST (Ajar Mic) final 2009;
You vote for who wins £100, the chance to compere their own Utter! and
run a writing workshop for us in 2010. ‘Attend’ this event:
http://bit.ly/ajar09

Anna Mae-Selby, Rob Auton, and the winners of Utter! Cats (Catherine
Brogan), Utter! Ed preview (Charlie Dupre), Utter!’s got talent (Laura
Hainey), Utter! Weirdness (James McKay), Utter! evolution (Alan
Wolfson), Utter! Prime Numbers (Harry Baker) and Utter! Film.
…plus very special guest, host of Book Club Boutique, festival veteran
and author of the anticipated autobiography Springfield Road SALENA
GODDEN!

Cross Kings, 126 York Way, King’s Cross N1 0AX, pre-book for just £5
on
http://www.wegottickets.com/event/62260 OR it’s £5 before 7.30pm,
£10 after, NO EXCEPTIONS!



Sat 21 November - Writing Workshop - Leora Ronel. 11am - 1pm,
Community Room (inside teenage library, 2nd floor) Wood Green Library,
Wood Green High Road, N22 £2/free if it’s your first time

Tues 24th November - Utter! writing group reading at the Big Green
Bookshop, 1 Brampton Park Rd, off Wood Green High St, London, N22,
6.30-9pm. Tube: Turnpike Lane/Wood Green. London Transport Museum ex
poet-in-residence Abe Gibson, Brian Docherty, myself, Leora Ronel,
Diane Morrison, Catherine Hillis, Jane Wibberley and many more TBC.
Then pub! FREE

Sat 5th December - Writing Workshop - Nichola Charalambou. 11am - 1pm,
Community Room (inside teenage library, 2nd floor) Wood Green Library,
Wood Green High Road, N22 £5/free if it’s your first time

The writing group will return on Sat January 16th and spoken word
events on Feb 18th with The Funeral of Mr Richard Tyrone Jones (
http://bit.ly/rtjdead ).

In the meantime, to stay up to date, why not join the Facebook group
at
http://bit.ly/utter ?

Or, if you'd like to book us for your
institution/library/school/tour/seasonal party across the UK, check
out our NEW roster of top spoken word talent at our lovely website
www.utterspokenword.com - click on 'Book our talent!' then get in
touch.

Or if you'd like to get off the list, just reply with 'UNSUBSCRIBE' in
the subject and we'll take you off, no bother, no offence.


www.utterspokenword.com

07912 539 098

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Up the Line Nov 11 Remembrance Day Celebration Performances

31 artists from 11 countries will be performing in 1 cemetery during an hour of darkness, to honour those who suffered on all sides in the conflict.

Stations in order of  appearance 

(starting from Brockley Gate, please reverse order if you arrived from Ladywell Gate)

Police Guard

Up The Line Choreography: Keren’Or Pézard (www.maaikor.info)                   

Dancers: Yasuo Asano, Wei-Shan Lai, Karolin Bertilsson, Joana Clare, Aiala Urcelay, Typhaine Delaup, Yuko Shinoda

Memorial to those who died in Deptford through Zeppelin raids

Intermezzo op 117 no.1 in E flat and Intermezzo op 117 no.2 in B flat minor by Johannes Brahms, piano: Julian Jacobson                                                                                 

Line up for war - Film: Kai Clear (www.kaiclear.com)                                           Projection: Declan McGill and Jon Lockwood

Diary of Albert Hugh Blackmore read by Harry Vendryes

Poems by Siegfried Sassoon read by Graham Buchan

Poems by Joseph Seamon Cotter, Wilfred Wilson Gibson, Alec Waugh, Anon. read by John Clarke

Extracts from “In Parenthesis” by David Jones read by Paul McGrane

Zeppelin

First Movement of Sonata no.1 in G Minor by Johann Sebatian Bach, violin: Yuko Matsumoto

Poems by John McCrae, Robert William Service, Robert Freeman Trotter read by Heather Taylor

Poems by Bernard O’Dowd, Vance Palmer, Leon Gellert, Judith Wright read by Katherine Gallagher

Poems by Wilfred Owen, Isaac Rosenberg, Rifleman Donald S Cox, Joseph Lee, A P Herbert read by Joe Duggan

Poems by Marc de Larreguy de Civrieux, Georg Trakl, Franz Janowitz, Gerrit Engelke read by Isabel White

Cemetery Chapel open for lighting of candles and reflection

Poems by Géza Gyóni and Dimcho Debelyanov read by Csilla Novoszath and Kata

Poems by Katherine Tynan, Margaret Postgate, Miss G M Mitchell, May Wedderburn Cannan, Anon read by Marie Maurer

Poems by Cecil Spring Rice, Wilfred Owen, Rupert Brooke, Robert Laurence Binyon read by David Bottomley

Police Guard

Oscar’s

At 7.30: children’s lantern procession starting from Brockley Gate Please come and join us for a chat and a drink at the Rivoli Ballrooms after you have completed the route. 1920 and 30s music with Haydn Meddick 350 Brockley Road, SE4 2BY – please ask one of our stewards for directions!

For more Isabel White personal@isabelcentral.com

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Rhymes Won’t Wait Nov 20

Venue:     SOUND in Leicester Square 
Date:        FRIDAY 20 NOVEMBER from 7pm-10pm
Tickets:    £3 in adv http://rhymeswontwait.eventbrite.com £5 on the door

Please contact Sabrina@timewontwait.com / 07944 361 750 for further information on the event and interviews/workshop access/press passes for the event.

Hollie McNish, Deanna Rodger, Catherine Brogan, Dean Atta  (Creative Director), Sabrina Mahfouz  (Creative Producer), Camila Fiori, Rumi Begum, Karis Halsall, Chimene Suleyman, Haseeb Malik

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Free Regular Monthly Poetry Event at Stratford Theatre Royal

Theatre Royal Stratford East Bar continues to host a FREE spoken word event on the second Sunday of every month from 8pm.

18 October - ROYAL NIGHT IN: WORD4WORD

Join award winning Kat Francois and friends as they deliver fresh and powerful poetry; a must for spoken word fans. There are a limited number of open mic slots available: Book in advance on 07961 313 557 or e-mail
kfrancois@stratfordeast.com 

For further information about these and other ongoing free events in the Theatre Royal Bar, please visit:
www.stratfordeast.com

Or contact:
e:
press@stratfordeast.com
t: 0208 279 112
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2010 Cardiff International
Poetry Competition

Multi-award winning poet and short story writer Jackie Kay and Anglesey-based poet and Poetry Wales Editor Zoë Skoulding have been announced as judges for the 2010 Cardiff International Poetry Competition.

The competition, which is now officially open, is one of the UK’s leading poetry competitions and offers one of the largest monetary prizes for a competition of its kind. First prize is £5,000; second prize £500; third prize £250 and five runners-up will receive £50 each.

Entries can be in any form and on any style though they must be unpublished, your own work and no longer than 50 lines. For full guidelines and conditions of entry click here.

If you think you have what it takes to win first prize of £5000 then send us your poems. The Cardiff International Poetry Competition is pleased to acknowledge the financial support of Cardiff Council.

To receive an entry form send a
stamped, self addressed envelope to:
Academi, Mount Stuart House, Mount Stuart Square,
Cardiff, CF10 5FQ

Or click here to download the entry form now

For more information contact Academi on:
029 2047 2266 /
post@academi.org

http://www.academi.org/cipc

The Judges

Jackie Kay

Jackie Kay. Photo by Denise Else 

Jackie Kay was born and brought up in Scotland. Her most recent collection of short stories, Wish I Was Here (Picador, 2006) won the Decibel British Book Award. She has won the Guardian Fiction Prize for her novel Trumpet (Picador, 1998), and a Forward Prize for her collection of poetry The Adoption Papers (Bloodaxe, 1991). She is Professor of Creative Writing at the University of Newcastle. Her most recent collection of poetry Darling, New And Selected Poems (Bloodaxe, 2007) was a Poetry Book Society Recommendation. She was awarded an MBE in 2006. Her most recent collection for children, Red, Cherry Red (Bloomsbury, 2007) won the CLPE award. The Lamplighter, her long poem to commemorate the abolition of the slave trade, was published by Bloodaxe in 2008. Jackie lives in Manchester with her son.


Zoë Skoulding

Zoe Skoulding. Photo by Alan Holmes

Zoë Skoulding’s most recent collections of poems are Remains of a Future City (Seren, 2008), which was long-listed for Wales Book of the Year, and The Mirror Trade (Seren, 2004). Her collaborative work includes Dark Wires (West House Books, 2007) with Ian Davidson, From Here (Dusie, 2008), with visual artist Simonetta Moro, Species Corridor (Klangbad, 2008), a CD album by Parking Non-Stop, and You Will Live In Your Own Cathedral (Seren, 2009), a pamphlet of poems in German and Czech translation accompanied by a CD of poetry set to soundscape with Alan Holmes, in association with Literature Across Frontiers. She is an AHRC Research Fellow at Bangor University, where she also runs part-time courses in literature and creative writing. Zoë became Editor of the international quarterly Poetry Wales in 2008.

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Submissions Calls Submissions Calls

Imsonium Books Submissions Calls


Niuley Pleasance Dotstories Anthology to Be Published in 2009

This is what Munayem Mayenin calls, dotstories.

“Dot stories are after the diamond-cut, the gem of creativity, condensed and intensified, heightened. The entire life and its living, loving, imagining, creating must come out in one kiss! Short, sharp, brilliant and almost mesmerisingly paralysing! If life is a lower case i a dot story is the dot on top of the tiny line of life.” Munayem Mayenin

For more on dotstories

http://www.munayemmayenin.co.uk

Imsonium Books seeks submissions for Niuley Pleasance Dotstories Anthology to be published in 2009.
Submissions FREE

To
laciela@imsoniumbooks.com 
Deadline: 30th of November 2009

For Guidelines
http://www.imsoniumbooks.com

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Omarain Novels Anthology 2009 Seeks Submissions

Imsonium Books is going to publish Omarain Novels Anthology 2009 which will publish 20 new novelists who have not been published anywhere yet and will publish the following from each novelist:
1. A biography of the novelist
2. A synopsis of the novel
3. One chapter of the novel
Imsonium Books will publish 5 of the best novels out of the 20 published novelists in the Anthology. The five novels will be published in 2010.

There is not catch.

Submissions FREE

Deadline: 30th of November, 2009
The Anthology will be published before Christmas 2009.
Please, follow the following guidelines to the dot (and we mean it) and send submissions to
laciela@imsoniumbooks.com 

Who can submit
Anyone writing in English and has not been published yet.
One Submission
The novel submitted must, must, must only be submitted to Imsonium Books alone. You may submit the piece elsewhere once you have heard from us.

For Guidelines
http://www.imsoniumbooks.com

Sophia Promises of Thoughts Philosophy Anthology 2009

Imsonium Sophia Promises of Thoughts Philosophy Anthology seeks submissions
This Anthology seeks original writing of thinkers from around the world who are roaming about in University Campuses and in the campus of the University of Life, who can not sleep as they rage and rise to raise questions and set about everyday seeking answers to the nightmare we are forced live today.
The pieces should not be more than 2,500 words.
The article submitted may be a chapter of their on going works or just an independent article.
 

Submissions FREE

Deadline: 30th of November, 2009
 

For Guidelines
http://www.imsoniumbooks.com

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Volume Magazine Seeks Submissions

www.volume-magazine.com

The Times BFI 53rd London Film Festival Opens

Information on this years dedicated Awards ceremony, which will be hosted on the evening of 28 October

This year, for the first time, we will host a dedicated Awards ceremony, on the evening of 28 October, at which we will present an enhanced range of awards, unlike in previous years, when the Festival presented a small number of awards to film and documentary makers on Closing Night. These awards will recognise and reward emerging young filmmakers who have made their debut in the Festival, as well as established feature-film and documentary makers. In addition, the highest accolade the British Film Institute bestows - The Fellowship - will be presented to two figures of international standing from the worlds of directing and acting. Full details of the juries for each Award will be available in the Festival catalogue.

Highlights of the evening, as well as interviews with the winning filmmakers and comments from the judges will all be made available here on the Festival website.

Best Film
This new Award will celebrate creative, original, imaginative, intelligent and distinctive filmmaking in the Festival.
An initial shortlist will be drawn up by the Artistic Director and the programming team, and will then be judged by an international jury of high profile directors, writers, producers and actors.

BFI Fellowship
The British Film Institute Fellowship is awarded to individuals in recognition of their outstanding contribution to film or television culture. Initiated in 1983, the BFI Fellowships have been given to a host of outstanding actors and film & programme-makers from around the world, including Robert Altman, Michelangelo Antonioni, Dame Peggy Ashcroft, Sir Michael Caine, Bernardo Bertolucci, Bette Davis, Gérard Depardieu, Graham Greene, Sir Alec Guinness, Deborah Kerr CBE, Akira Kurosawa, Sir David Lean, Jeanne Moreau, Martin Scorsese, Dame Maggie Smith. This year's recipients will be recognised for their significant achievements in the field of acting and directing.

Best British Newcomer Award
The Best British Newcomer Award will celebrate new and emerging British film talent and recognise the achievements of a new writer, producer or director who has demonstrated real creative flair and imagination with their first feature.
This year's judges include Lenny Crooks, who heads the UK Film Council's New Cinema Fund which encourages new, distinctive voices in British Cinema, Michael Hayden, Festival programmer, Sandra Hebron, Artistic Director of the Festival, Christine Langan, Creative Director of BBC Films whose producer credits include In The Loop, The Queen, The Deal, Cold Feet, and Dirty Filthy Love, Tanya Seghatchian, Head of the UK Film Council's Development Fund & Executive Producer of the hugely successful Harry Potter franchise and Tessa Ross, Controller of Film4 and Drama, Channel 4.

The Sutherland Trophy

For the most original and imaginative first feature at this year's festival.
This award, presented for the first time by the BFI in 1958, has a long and distinguished history and has been awarded to a remarkable spread of filmmakers including Yasujiro Ozu, Souleymane Cissé, Bernardo Bertolucci and Rainer Werner Fassbinder. Some of the films recognised in recent years include Asif Kapadia's The Warrior, Kenneth Lonergan's You Can Count On Me, Lynne Ramsay's Ratcatcher, Andrea Arnold's Red Road. Last year, Sergey Dvortsevoy's Tulpan, the disarmingly sweet comedy about a desperate Khasak sheep-herder and his attempt to find a wife, was chosen as the worthy recipient. This year's Sutherland Trophy winner will again be selected by an invited jury of filmmakers, actors, writers, critics, producers and artists.

Shortlist 2009
Ajami
Bunny And The Bull
Cold Souls
Eyes Wide Open
Lebanon
Metropia
Samson & Delilah
Shirley Adams
Wah Do Dem
Wolfy

The Times BFI London Film Festival Grierson Award

For the best feature-length documentary at this year's Festival.
This award is given by the Grierson Trust, which commemorates the pioneering Scottish documentary-maker John Grierson (1898-1972), famous for Drifters and Night Mail and the man widely regarded as the grandfather of British documentary. The Grierson Trust, through its own annual awards - The British Documentary Awards - has a long-standing tradition of recognising outstanding films that demonstrate integrity, originality and technical excellence and social or cultural significance. Last year's Festival winner was Victoire Terminus, the powerful and gripping documentary about contemporary life in a Congo ghetto as seen through the eyes of four female boxers.
 

BFI Southbank (NFT1, NFT2, NFT3, Studio, Delegates Centre)

Visit website

benugo and The Riverfront will be open to 00:30 on Fridays and Saturdays during the Festival.

Watermans Art Centre

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The International Fish Short Story Prize 2009

The International Fish Short Story Prize 2009 is now open with Ronan Bennett as the judge. The ten best stories will be published in the annual Fish Anthology 2010. The prize was started in 1994 to get new writers published in book format. So far we have published over 300 writers from all over the world.

The 1st prize is 2,000 Euro with an additional 1,000 Euro to travel to the book launch in West Cork, Ireland, in July 2010. Entry online is 20 Euro (approx. £18) www.fishpublishing.com  £20 by post. The second prize includes a week’s residence in Anam Cara Writers Retreat in West Cork, and 300 Euro. The closing date is 30 Nov, and there is a  5,000 word limit. There is no restriction on theme or style.

Hon Patrons: Roddy Doyle and Dermot Healy.
Fish also runs a One Page Prize, 1,000 Euro, 300 word limit, closing date 20 March ’10, and a Poetry Prize, 1,000 Euro, judge Matthew Sweeney, closing 30 March ’10. The winners of both competitions are published alongside the Short Story winners in the Fish Anthology. Entry is 12 Euro for both of these competitions.

Full details and on-line entry on  www.fishpublishing.com

  
Postal entries must not have name and address on the text, but on a separate sheet. Fish Publishing, Durus, Bantry, Co Cork.

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Sentinel Literary Quarterly Poetry and Short Story Competition (January, 2010).

 

About the competition

Sentinel Literary Quarterly Poetry Competition has been introduced to encourage and reward quality poetry writing, create and sustain awareness about the publication and if by any chance a small financial margin is achieved at the end of each competition, that will go back into producing the magazine and help keep it a free-to-read publication.

 

Competition Details 

Subject: Poems may be on any subject.

Length: Maximum 40 lines per poem

Entry Fees: £3.00 per poem or £12.00 for 5 poems

First Prize: £100.00

Second Prize: £60.00

Third Prize: £40.00

First Publication: The top three poems will receive first publication in the January 2010 issue (Vol.3 No.2) of Sentinel Literary Quarterly (SLQ).

Competition Pamphlet: A pamphlet of 32 poems fed by the competition titled Champion Poems 3 - Top poems from the Sentinel Literary Quarterly Competition (January 2010) Compiled &published and all included poets will receive 1 Free contributor's copy each.

Entry deadline: 23rd December, 2009 (Postmark)*

Results due: 31st January, 2010 announced in Sentinel Literary Quarterly magazine at

http://www.sentinelpoetry.org.uk

 

For short story Competition:

http://www.sentinelpoetry.org.uk

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Books

Taking Flight: An Oversteps Book

Taking Flight by Rose Cook, ISBN 978-1-906856-09-0. Price £8.

Rose is well-known as a poetry performer, not only in her native Devon but in venues all over the UK. She was co-founder of the poetry performance group Dangerous Cardigans and for a number of years co-presented Totnes’ One Night Stanza with Matt Harvey.

Her work has been broadcast on BBC Radio 3 and BBC Radio Devon, and has appeared in magazines; but this is her first full collection. The range of subjects is wide, and includes a particularly moving sequence about the birth of an illegitimate child.

Oversteps Books is run by poet Dr Alwyn Marriage

www.overstepsbooks.com

Society and Giving

GMG Radio’s ‘Help For Heroes’ Day Nov 10

GMG Radio has announced that Chris Tarrant will present an exclusive show from 9am to 11am as part of its Help for Heroes Day on Tuesday 10th November. For the first time ever, this show will broadcast across the entire GMG Radio network of stations which include Real Radio, Smooth Radio, 106.1 Rock Radio and 96.3 Rock Radio.

Through the day’s events all stations are looking to raise as much money as possible for ‘Help For Heroes’. The charity is looking to set-up a network of recovery centres across the UK, providing practical, direct support for Britain’s wounded soldiers. For full information visit any of our websites at; www.realradio.co.uk  www.smoothradio.co.uk  or www.rockradio.co.uk

Chris Tarrant’s show will be packed full of special guests including the band everyone is talking about, Spandau Ballet, plus what promises to be a revealing interview with music mogul and X-Factor judge, Simon Cowell. Across the day a raft of big names and surprise guests from the world of entertainment will be dropping in to join in the fun live.
Chris Tarrant said; "Help for Heroes is a great charity doing a great job to help our injured service personnel; and an excuse to team up with the guys at GMG to have some fun on the radio again."
Some of the many top music and celebrity names supporting Help for Heroes Day across GMG Radio with special on air messages will include Cheryl Cole, Robbie Williams, Alexandra Burke, Alesha Dixon and The Stereophonics.
Our grand online auction, which features an array of totally unique and amazing items will go live from Saturday 7th November. Bid on a visit to Jenson Button’s Brawn GP factory, tickets to be part of the X-Factor audience or have the three servicemen known as ‘The Soldiers’ perform hits from their debut album, ‘Coming Home’ just for you.

GMG Radio station’s frequencies are:

Real Radio Smooth Radio Rock Radio

105.4 Northwest 106.6 East Midlands 106.1 Manchester

100-101 Scotland 105.2 Glasgow 96.3 Scotland

105-106 Wales 102.2 London DAB across the North East

106-108 Yorkshire 105.7 West Midlands

100–102 Northeast 100.4 North West

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PhotoBox's new personalised cards help the NSPCC


For immediate release-London, UK, 5 November 2009

PhotoBox, Europe's leading online personal publishing and printing service, has just launched a brand new range of personalised cards to suit all occasions.

In addition to more photo card designs than ever before, where everyone can have fun adding their own photos to make a truly unique card, PhotoBox is also offering a wide selection of predesigned cards with a good 250 designs to choose from.

With PhotoBox, finding the perfect greeting couldn't be easier, whether it is Christmas wishes, happy birthday greetings or a simple thank you note, the fully searchable filter page will return a wide selection of designs, based on the occasion, the type of card - photo or predesigned, format, and size.

All cards are fully customisable, text and captions can be added on the front and inside of the card with a good range of fonts and typefaces to pick from. All that is needed is imagination and personal touch to make loved ones smile.

To celebrate the launch of its new range, PhotoBox has partnered with the NSPCC, so a percentage of the sales of all A5 and A6 greeting cards will go towards supporting the charity and its Child's Voice appeal.

This year not only will people get to wow their friends and family with a touching personalised greeting card from PhotoBox, but they will also be helping the NSPCC with their vital work to ensure every child's cry is heard: two great ways to feel good this Christmas.

Another great reason to feel good and give PhotoBox gifts this Christmas is that PhotoBox is selling a specific range of NSPCC greeting cards and an NSPCC Photobook showcasing the winning images from their NSPCC Young Photographer of the Year Competition. So this Christmas the message is clear - Feel Good, Give PhotoBox!
 

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Newest Members in the Poets' Letter Team

Helena Sainz De Vicuña: Films Editor

C. R. Ventura: Design Editor

Jack Foley: Online and Web Editor

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Thanks to National Poetry Library

Latest Competitions:

  1. David Burland Poetry Prize 2010 | Closing Date: 31-Mar-10

 

New Events:

  1. MANCHESTER M15: Eloquent Protest | 01-Nov-09
  2. LONDON SW5: Coffee-house Poetry at the Troubadour | 02-Nov-09
  3. LONDON SW5: Poems on the Underground | 02-Nov-09
  4. LONDON SE1: Where Are All the War Poets? | 02-Nov-09
  5. LONDON SW5: Poems On The Underground | 02-Nov-09
  6. LONDON: "Poems on the Underground" | 02-Nov-09
  7. LONDON EC1R: Imagine a City Called Berlin | 03-Nov-09
  8. LONDON WC1: Frances Presley's Lines of Sight | 03-Nov-09
  9. BLOOMSBURY: Matthew Welton, Jeremy Over and Richard Price | 03-Nov-09
  10. PURCELL ROOM: Beyond Words - New South African Poetry | 04-Nov-09
  11. PURCELL ROOM: Beyond Words: New Poetry From South Africa Live On Tour | 04-Nov-09
  12. TRURO: An Introduction to Poetry Therapy | 05-Nov-09
  13. LONDON WC1: Farrago Festival of Spoken Word Launch | 05-Nov-09
  14. WALES: Academi Writers Retreat: A Sense of Place | 06-Nov-09
  15. SUFFOLK: The Twenty-First Aldeburgh Poetry Festival | 06-Nov-09
  16. WALES: Paul Henry & Don Paterson | 07-Nov-09
  17. LONDON N9: Salisbury House Poets - Poetry and Jazz | 07-Nov-09
  18. NORTH SHIELDS: Beyond Words: New Poetry From South Africa Live On Tour | 07-Nov-09
  19. MANCHESTER: A Poetry Discussion Course | 07-Nov-09
  20. MANCHESTER: Saturday Writing Sessions with Peter Sansom | 07-Nov-09
  21. LONDON N2: East Finchley Poetry Writing Workshop | 07-Nov-09
  22. LONDON WC2: They Can't Blackout the Moon | 08-Nov-09
  23. NORWICH: Get Published - Or Not with Neil Astley | 09-Nov-09
  24. MANCHESTER M13: Vona Groarke and George Szirtes | 09-Nov-09
  25. LONDON SE8: Beyond Words: New Poetry From South Africa Live On Tour | 10-Nov-09
  26. LONDON N6: Poetry at Lauderdale House | 12-Nov-09
  27. SUFFOLK: Smiths Knoll Poetry Workshop Weekend | 13-Nov-09
  28. HAMPSHIRE: NAWE CONFERENCE | 13-Nov-09
  29. MANCHESTER: Staying inside the Poem Talk by Michael Schmidt | 13-Nov-09
  30. LONDON WC1: Small Publishers Fair 2009 | 13-Nov-09
  31. SPAIN: The 'Wolf' magazine poetry Workshop with James Byrne | 14-Nov-09
  32. SPAIN: Retreat Week at Almassera | 14-Nov-09
  33. SCOTLAND: StAnza POETRY FESTIVAL | 14-Nov-09
  34. MANCHESTER: Tutorial with John McAuliffe | 14-Nov-09
  35. LONDON SE1: Poetry Library Special Collections and Artists' Book Open Day | 15-Nov-09
  36. BRISTOL BS1: Beyond Words: New Poetry From South Africa Live On Tour | 15-Nov-09
  37. MARYLEBONE: Suddenly Single and More with Carol Burnes | 15-Nov-09
  38. LONDON N10: Creative Writes | 15-Nov-09

 

Latest News:

  1. New Opportunity in the Poetry Library | 30-Oct-09
  2. C. K. Stead wins the Prime Minister's Award for Fiction | 29-Oct-09
  3. Brian Turner wins Prime Minister's Award for Poetry | 29-Oct-09
  4. T S Eliot Prize 2009 - Shadowing Scheme | 27-Oct-09
  5. Shortlist for the 2009 T S Eliot Prize for Poetry Announced | 23-Oct-09

The Poetry Library
info@poetrylibrary.org.uk

 

Poetry Film Presents An Evening of Poetry Films and Performances December 9th at Curzon Renoir Cinema

Sentinel Literature Festival 2009: Dec 1-3, Waterloo

As part of its celebration of its 7th year Sentinel Poetry Movement is set to run a three-day Literature Festival celebrating poetry, fiction and music in December 1-3. Performances start at 7pm and continue till 10pm. 

The festival will open with a short report on 7 years of Sentinel Poetry Movement by founder Nnorom Azuonye who also doubles as the Festival Director. This report will then be followed by poetry and fiction readings and performances, and live music by, among others, the headline acts: Harry Zevenbergen poet, performer and citypoet of Den Haag, author of “Punk in Rhenen”, Tony Fernandez, Poet in Residence at the 5th London Poetry Festival 2009 and author of “The Sound of Running Water” and Editor of Africa Awakening magazine, Lookman Sanusi - a theatre practitioner, fiction writer and author of “Skeleton”, Nnorom Azuonye - editor of Sentinel Literary Quarterly and author of “The Bridge Selection: Poems for the Road”, Clare Saponia – a young voice with publications in The Recusant, Platform, Red Poets, Inclement and Pennine Ink.  

There is also Afam Akeh – founding editor of African Writing and author of “Stolen Moments” and “Letter Home and Other Poems”, Chika Unigwe - author of the bestselling novel “On Black Sisters’ Street”, and Malgorzata Kitowski – one of the foremost Poetry Film-makers in London, Poet in Residence at the 2nd London Poetry Festival 2006 and author of “Doppelgangers”.  

The three-day play will conclude on December 3 by the performance of “Sampo: Heading Further North” by the Middlesbrough duo Andy Willoughby and Bob Beagrie. SAMPO: HEADING FURTHER NORTH is a spoken word and music extravaganza of story telling, lyric poetry, beat sensibilities and postmodern experimentation by poets Bob Beagrie and Andy Willoughby with musical collaboration by world music duo Gobbleracket based on the Finnish myth cycle Kalevela connecting to their north eastern identity, it has toured the north to critical acclaim and is now heading further south! With its South London Premiere.  

Live music on the first two evenings of the Festival will be provided by South Africa-born Italian Folk Jazz singer songwriter Aletia Upstairs. The line-up includes new songs and others from her debut album, “Possibility” 

The Festival will take place at two venues. On Tuesday the 1st and Wednesday the 2nd of December, the events will take place at Waterloo Gallery, Waterloo Action Centre, 14 Baylis Road, London SE1 7AA. Then on Thursday the 3rd of December the festival moves to Play Space, 1 Coral Street, London SE1 1BE. Both venues located across the road from the Old Vic are literally 2 minutes’ walk from Waterloo Station (Northern Line and British Rail), and about 4 minutes from Southwark Station (Jubilee Line).  

For convenience, the £6.00 per day tickets can be purchased in advance from the Festival website, or at the door. 

Nnorom Azuonye, the organiser of the Festival, himself is a devoted literature development worker, a pioneer with deep faith and conviction who has tirelessly tried to take literature and poetry to wider audiences over these years. He himself is a gifted poet, fiction writer and playwright. He was Poet in Residence at the 4th London Poetry Festival 2008. 

For more www.sentinelpoetry.org.uk

www.sentinelpoetry.org.uk/literaturefestival

Tel: 0870 127 1967 or 07812 755751

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Art @ 42 Presents Michael Horovitz and His Poetry and Artworks, Dec 3

Art @ 42 Presents an Art Retro at 42 Pembridge Rd, W11 on Thursday 3rd December from 6.30-10pm.

An exhibition of Michael Horovitz's artworks (1963-2008) with Michael giving a reading where John Hegley will make a special appearance.

European Politics European Politics

Lisbon Treaty: What is this fuss all about?

There was that famous ‘cast-iron guarantee’ that Conservative Leader David Cameron gave and now he must regret using such a phrase! How could one give a ‘cast-iron guarantee’ about something like this when the factors that were involved were so many and so unpredictable? So that cast-iron guarantee fell through the hole when the Czech President singed, albeit, unwillingly, the Lisbon Treaty that now has entered the Statute Book of Europe! Now, there is no need to have a referendum on that but the Torries are still geared up to make laws, once and if elected at the next election, not to give any more powers to Europe! What does that actually mean? Giving Powers to Europe?  

And let’s talk about the referendum. What is the political philosophy that seeks a referendum on any issue, to be honest? Britain is a representative democracy that requires the representatives that run the affairs of the country be elected by the people who give their mandate to these representatives to take and make decisions on their behalf as they find fit in line with their expressed manifesto and or party principles and policies and then go and execute them. The idea is simply this that let the representatives run the country with that public mandate for a period and if the public did not like it they can then vote these representatives out and choose another set. That does not require the representatives to seek or call for a referendum on anything since they have the political authority and absolutely valid authority given by the people at the election. 

If we look at the political cultures across the globe and all the functioning democracies we only see that conventions such as having referendum happen and only expected to happen if a nation is having a constitution or changing their constitution or something of that nature or magnitude. 

Why would the public elect a set of representatives to represent them and then ask and demand that they organise a referendum on any or all issues? 

Therefore, this referendum issue is used by political parties, particularly, the opposition parties as means to put pressures on the government party and score points.  

A government, elected and thus authorised by the people and thus by its systems and mechanism of government, to run the country as best as they could and they are the people who become to symbolise the House of Parliament where the sovereignty of the nation is deemed to reside on behalf of the people ( in theory, that people are the sovereign together). That must be the case for the representative democracy to function within the perimeter of the existing political philosophy, political economy and in a way political validity or political morality.  

Therefore, the representatives and thus, the government, must be left to behave and act like a sovereign authority or power so to be able to function properly. If Britain is, God forbid, attacked today, at this minute, and we had a law that says the government can not enter into a war whatsoever without having the Parliamentary approval first? What happens then? We get invaded and occupied because our representatives were not given that sovereign rein? 

Further, when people say, may they be anyone including, at this moment, the Torries and parties like UKIP, giving powers to Europe what do they mean? What is Europe? European Union is a democratically elected body. All the peoples of all the nations of European Union including the UK population do elect the European Parliament that has increasingly been achieving and getting more and more voice and power to oversee and scrutinise the activities of the public servants and the system and it will continue to grow stronger, better and more effective as time passes (it may not be perfect but it is democratic all right and in it British people have a say and they have representatives there to speak and decide for them). So when people say power to Europe what do they actually mean? And all the governments in the European Union Mechanism including the Ministerial Council are all elected by their people and in that people there are the people of the UK. So what is this fuss is all about! 

Britain must stop this wasting of time and scaring people about that Bogus Boo of Europe. Britain is an essential and fundamental part of Europe and Britain lead Europe’s Fights against fascism/Nazism and against Hitler. Britain led Europe in the age of enlightenment, in the age of industrial revolution, in science and technology, in business and commerce and cultural and artistic fields and, therefore, Britain must take part and offer all it has to Europe to secure this place so that democracy prosper, human rights deepened, civil liberties and rule of law and due process of law reaches deeper, understanding and co-operation and mutual respect and regards between peoples widened. There is no other way in the future for Britain. Nationalism has had its day. Britain must now accept to be a partner and leader in Europe not make all this pointless fuss about it all the time! It is rather annoying, childish and immature. Britain has everything to gain from being in an integral part of Europe than other countries of Europe to be honest. | Π.Λ|

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Concert

The Lovers of Rumi Concert Nov 27

with Manikam Yogeswaren and Sirish Kumar 27th November, 7.30 pm
“Celebration of Light“
Poems by Rumi, Neruda, TS Eliot, Kabir, Rilke,
Machado, Jimenez, Tagore  
Music by Bach, Scriabin and improvisations

At Grosvenor Chapel
24 South Audley Street
London W1K 2PA
Tickets £10 at the door
 
Rumi Workshop Day & Evening Concert Dec 5

with Azima Kolin and Ann Marie Terry
Saturday 5th December 2009
at The Abbey - Sutton Courtenay
Oxon OX14 4AF
Workshop – Portrait of Rumi through his poems
10 am - 5 pm - £60 / (£50 conc)
Concert - 7.30pm -£10

www.azimamelita.com
 www.theabbey.uk.com
admin@theabbey.uk.com
Tel: 01235 847401

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Festivals

Nehru Centre,8 SthAudley St,London W1,16-20 Nov 09

Monday 16 Nov 6.15 pm: A Celebration of New Departures/Poetry Olympics at Fifty with Editor/Torchbearer Michael Horovitz & Fellow Troubadours

The two new New Departures anthologies, Great-Grandchildren of Albion, and The POE! (Poetry Olympics Enlightenment) Anthology, will be launched with introductions, Q&A, poetry, song and music performances by the four co-editors, Melanie Abrahams, John Hegley, Adam Horovitz and Michael Horovitz, alongside a quorum of the contributing poets including Ned Denny, Maya Naidoo, Rosemary Norman and James Wilkes. These Anthologies, in tandem with a continuing 2009-10 series of Poetry Olympics events around the world, are in celebration of all the fifty years during which the New Departures bandwagons have been travelling since Michael Horovitz founded them in his last year studying (& trying to write) English Literature at Oxford (www.poetryolympics.com)                                   Free admission and refreshments.

Tuesday 17 November 6.15 pm: Private View of A Retrospective Exhibition of

Art-Works by Michael Horovitz, Inauguration by Dame Beryl Bainbridge

Though better known as a poet-singer-musician, Michael Horovitz has been making visual art throughout his 75 years, and exhibited at the England, Celia Purcell, Royal Academy, Ben Uri, Artists' International & FBA galleries, among others. The artists who have helped inspire his visual experiments include the illustrators of old Jewish Haggadas, Wm Blake, Marc Chagall, Kurt Schwitters, Kenneth Patchen, R B Kitaj and Alan Davie – about whose paintings Horovitz wrote a monograph for the Methuen Art in Progress series in 1967.

Michael's exhibition consists of examples of several aspects of his output: Bop Art Paintings and Photomontages, Jazz Paintry, Picture-Poems, Prints and Drawings. The critic John McEwen has remarked on Horovitz's "sensual pleasure in paint for paint's sake, gritty use of collage, and origination in specific experience . . .  Painters in my experience rarely like to admit to any influence, but Michael prefers the jazz and literary way, where influence is put to creative use in the form of variation, tribute and echo".

And his fellow polymath Jeff Nuttall wrote that "Action painting, like the free jazz with which it is so frequently equated, reveals a deep and obvious division between the few practitioners who made it the vehicle for a new kind of form, and those who were hiding in the avant-garde – the mass of imitators who took advantage of the uncertain criteria surrounding a new mode, and the few who leave significant work: Pollock, De Kooning, Ornette Coleman, Archie Shepp – and Horovitz. He paints as he writes and performs, in dancing gestures, and possesses a skill that is most precious – conscious innocence, which takes wisdom to perceive".                Open until 20 November during office hours

The Nehru Centre, 8 S Audley St, W1K 1HF      www.nehrucentre.org.uk

For up to the minute information on Poetry Olympics and New Departures, visit Facebook (http://www.facebook.com/pages/Poetry-Olympics/130128323621)

or MySpace http://www.myspace.com/michaelhorovitz

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Buy Imsonium Books

www.imsoniumbooks.com

 

21st Aldeburgh Poetry Festival 2009 6-8 Nov

The UK’s leading annual international contemporary poetry festival celebrates its 21st year with an exhilarating line-up of world-class poets. Aldeburgh is renowned for the quality of its programme – mixing famous names, established poets, ‘well kept secrets’ and intriguing new talent. With 49 events (15 entirely free) a weekend of ‘best words in the best order’ is promised in Suffolk’s idyllic seaside town.

What makes the Aldeburgh Poetry Festival unique?
To borrow words by Tom Paulin – one of this year’s 20 featured poets – Aldeburgh generates its own unique atmosphere “where ideas fly about and bang into each other.”
Launched in 1989, it is the oldest festival in the UK dedicated to contemporary poetry Aldeburgh attracts the UK’s largest and most discerning poetry audiences each year (some 45,000 attendances since 1989)

Aldeburgh features an all-new line-up each year (350 poets from 32 countries to date) Creative, quality programming led by artistic directors who are also published poets
Aldeburgh combines Suffolk seaside magic with an international reputation for culture
Highlights of 2009 …

Geoffrey Hill – There is no finer way to celebrate the Festival’s 21st year than with the man many regard as England’s greatest living poet. A rare reading from Geoffrey Hill, whose visionary complex writing demands engagement and thought in a world where language is increasingly instantaneous and disposable.

Philip Levine – One of the most significant US poets of the last 50 years appearing in the UK for the first time in 30 years. Levine’s familial, social and economic portrait of working class America has left a monumental testimony of mid-20th century American life. His poetry of the assembly line finds a ‘voice for the voiceless’.

Albert Goldbath – One of America’s better kept secrets, Albert Goldbarth makes his UK debut as Aldeburgh continues to blaze the trail for intoducing American poets to UK audiences. Winner of the Mark Twain Award for a poet’s contribution to humour, his poetry combines pop-culture fanaticism with erudite research into the far corners of modern culture.

Also joining the 21st celebratory Festival are the UK’s best loved comic-poet John Hegley, cultural broadcaster Tom Paulin, Radio 4 Saturday Live regular Kate Fox, Italian Valerio Magrelli – launching his first UK publication from Faber alongside his translator Jamie McKendrick – Pakistani born poet, film-maker and artist Imtiaz Dharker, Trinidadian writer Roger Robinson, senior British poet, playwright and novelist Maureen Duffy.

On Saturday 7 November the Wonderful Beast Theatre Company will perform ‘YES’ a celebration of the life and work of one of the UK’s best-loved funny, passionate and political poets – Adrian Mitchell. This specially-created cabaret for Aldeburgh will feature Roger Lloyd Pack, Diana Quick, Adrian’s widow and his daughter, Celia and Sasha Mitchell, and a dazzling ensemble of dancers and musicians.

The weekend will also see the announcement of the winner of this year’s Aldeburgh First Collection Prize – £3,000 plus an invitation to read at next year’s Festival – and a reading by last year’s winner, young Irish poet Ciaran Berry.

Full programme:
www.thepoetrytrust.org 

Box office: 01728 687110, www.aldeburgh.co.uk (follow link to Aldeburgh Poetry Festival)

The 21st Aldeburgh Poetry Festival will take place in Aldeburgh, Suffolk from 6 – 8 November 2009. 49 Festival events – 15 free – take place across four town centre venues, the main stage being the historic Jubilee Hall where Benjamin Britten first established his Festival of Music and the Arts in 1948.
The Aldeburgh Poetry Festival was set up in 1989 and directed for its first decade by poet, editor and teacher, Michael Laskey. Naomi Jaffa, also a published poet, has been Director since 1999. It has taken place annually for twenty-one years, drawing poets and audiences from across the UK and around the world. Today it is managed by The Poetry Trust – one of the UK’s flagship poetry organisations – which in addition to the Festival, delivers a year-round programme of live events, creative education opportunities, courses, prizes, publications and a new digital platform The Poetry Channel.
www.thepoetrytrust.org

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1st StAnza Virtual Poetry Festival 2009 Nov 14

 

StAnza’s Virtual Poetry Festival 2009 – a festival you can attend online wherever you are!

The final arrangements have now been made for Distant Voices, StAnza’s first virtual poetry festival, a free event which on Saturday 14th November will be linking up poets and poetry from 12 cities and towns across the world, from Mumbai to Sacramento, and streaming them live into The Byre Theatre, St Andrews, StAnza’s usual hub venue, and also via webcasts worldwide, so bringing the festival onto your computer screen, wherever you are. Full details with the running order are now available online at http://stanzapoetry.org/virtual-festival.php , where you will also find the webcast. (Webcast “stage” only available during event.)

Eleanor Livingstone, StAnza's Artistic Director says: "It’s shaping up to be an incredibly exciting day and I’m hugely grateful to all our partner organisations and event organisers at the satellite readings for their generous commitment to this project, and to the international line up of poets who will be taking part – about 44 at the last count – including some poets already familiar to StAnza audiences and others appearing for the first time on our (virtual) stage. I can’t list them all here, but there will be poetry to appeal to everyone, from major literary figures and recent award winners, from teenage slammers, from sound poets, performing poetry in English and also in a range of other languages. Do check out the details online. Whether you join us in person or online, for 10 minutes or for the whole 9 hours, you’ll be very welcome, and I hope you enjoy what you see."

"This is a wholly innovative, experimental project. I’ve said it’s a world-first in its scale and ambition, at least for poetry, and no-one has contradicted me yet. I’ve also appreciated approaches from poets in yet more countries also wanting to join in – even Australia where it will be the middle of the night – though we couldn’t include them this time. We’ll all have our fingers crossed that the day goes as planned, but to some extent we have no idea what will happen. And that’s part of the reason we are doing it. It might be smooth, it might be bumpy, it will definitely be different. I hope you come along for the ride!"


http://stanzapoetry.org/virtual-festival.php

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Derwent Poetry Festival 2009 Nov 20

 

The Derwent Poetry Festival launches nine new titles from Templar, including the four winning pamphlets from the 2009 Pamphlet Prizes, by David Morley, Nuala Ni Chonchuir, Paul Maddern and Dawn Wood. There are readings from the annual anthology poets and first collections launched by Maggie O'Dwyer and Katrina Naomi.

Nigel McLouglin, the new Editor of Iota reads from his new collection Chora and Angela France will read from her collection published by Ragged Raven Press.

Jane Weir reads from Walking the Block, her innovative poetic biography of the handblock printers Phyllis Barron and Dorothy Larcher, shortlisted and highly commended in the 2009 British Book Design Awards.

Longbarrow Press, based in Sheffield, present their recent work, and several of the Iota team based at the University of Gloucestershire will read. There will be displays from a variety of other organisations and presses.

The Festival Bookshop will offer a wide range of second hand books for sale as well as the full Templar list.

The Festival opens on Friday 20th November at 7.00pm with an awards event and reception followed by a reading from Pat Winslow, Judge of the 2010 Templar Poetry Pamphlet & Collection Prizes. Angela Cleland, one of the first winners of the Templar Poetry Pamphlet Prizes will introduce and host many of the events.

There is also still time to book a free table to display material free of charge at the festival and we are also happy to receive promotional material related to your work or poetry in your own region or locality. If you are interested in availing of this please email in the first instance and we will get back to to you to make the necessary arrangements.

The venue is the extensive Arkwright Suite at Masson Mills, Matlock Bath on the A6, just south of Matlock Bath and within walking distance of Matlock Bath and Cromford stations on the Derwent Valley Line, which runs to Derby Mainline station.

The full programme can be viewed on the Templar website at http://www.templarpoetry.co.uk/festival

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Poetrymore

 

Sharon Harriott

Midnight Vigil

Tyres crunched over the glistening gravel.
It was the thud of the driver’s door
That turned my head.

You strode into the midnight lamplight
Striking; in both looks and gait.
Sparks sprayed from your heels.

Dark plays along your jaw line, vulpine.
And, pausing at your gate you turn,
I glimpse a question on your brow.

Your hand on steel, mine on my heart
I slip back, back into the shadows
Leaving you in the light.
I’m keeping vigil at midnight.

Sharon Harriott

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Rachel Finn

 

The fish out of water walk, to match my leather jacket

 

Skating through the West End

Airborne on wheels

I see

 

glittering

 

of lights.

And just like you,

even the neon signs

could stare the stars out

dead cold blind.

You’ve always had a way of

setting the skies on fire.

So do it,

Like you do

As I wait here patiently

miles away from home

But with you at the centre

of my world.

 

I ran past you earlier today,

dressed up as someone different

right out of a magazine.

I was ready to steal the scene.

But as you do,

Just as the stars do,

They pass by me unnoticed

Leaving me empty

Missing you,

In London’s city lights.

Rachel Finn

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C R Ventura


Nina Simone Is At The Piano

 

Time comes tangled
In the grass hidden
Treading silent calypso
With headphones on


Nina Simone whispering
Sound shuffles straight
Flattening the grass
Staying out late


Later on, beach combing at night
For times that can become
Do you remember when?
And wasn't it great?


Fresh swept sand
Where castles used to stand
Still stuck on repeat
Nina Simone plays on


Then the rain always comes
Just when we're beginning
Stepping forth, out of showers
Honey added to hot water bubbling


And we all just lounge around
Missing all our trains and planes
Whilst the infuriated horns of waiting taxi cabs
Fail to induce any response
And Nina Simone plays on

C R Ventura

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Into the Sky-Ocean: Poets' Letter

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Write for Poets' Letter

Poets' Letter is looking for writers/journalists for the following positions. These positions bring no monetary gains but offer opportunities to writers, journalists and editors to do something that they want to and like to do for nothing but just for their own pleasure  and sake and this is not their 'job' since they will have their own 'jobs'.

Who can apply? Anyone so long they live and work in London, have some time to spare to write and edit their department's submissions and correspond and respond to correspondents, be accessible to Poets' Letter Editor and the Team and every now and than, able to meet up should that be deemed necessary. 

Each editor must be fluent in their area of expertise (and be willing to learn), must be able to write in their area with command and grasp and be able to edit materials and work as part of a team while being able to do so on his/her own initiative.

And most of all, they must love life and show that they are not from the existing school of journalism and PR that says, does, shows and practises 'been there, seen and done it kind of cynicism',  have a passion for anything to do with arts, have a liking of the philosophical arena, some enthusiasm of poetry and literature and they must, must, must, must be mad readers!

If you are this person, send your cv with a covering email (that email will speak for you, not the cv) to editor@poetsletter.com and make sure to provide telephone and email address.  

You must have your own computer (or can manage to declare ownership of a computer whoever owns it!), internet connection and telephone.

However, if you would like a chat as to the position in which you are interested to apply and what it entails call the editor on 07526 630 850 (evenings and weekends).

Book Reviews Editor

Audio Book Reviews Editor

Features Editor

World Politics Editor

Humanics Editor (read on Humanics here)

UK Politics Editor

European Politics Editor

Geo-politics Editor

Philosophy Editor

Cosmography Editor (read on Cosmography here)

Fiction Editor

London Editor

Theatre Editor

Festivals and Events Editor

Music Editor

World Music Editor

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The Mad Hatter cordially invites you to a Tea Party with a difference in aid of Oxfam’s Oxjam: Nov 14 The Circle Bar, 348 Clapham Road 

Prepare yourself for a night of beautiful hats, cheshire cats, tea-martini's, wonderful music and lots of special surprises!! Once you've stepped through the looking glass who knows what will be awaiting you......

The Circle Bar (348 Clapham Road) will be transformed into a Wonderland beyond your wildest dreams on Saturday 14th November as part of Oxfam’s Oxjam initiative. A night filled with nonsense looms: have a jig with Tweedledum and Tweedledee, follow the White Rabbit down the rabbit hole, take tea-tini’s with the Queen of Hearts and of course, beware the Jaborwock!! 

An eclectic bill of musicians has been confirmed so bring your dancing shoes and prepare to be enchanted: 

Summer Holiday

XFM favourite White Collar Weapons follow www.myspace.com/whitecollarweapons

Extremely talented songwriter Elka www.myspace.com/elkauk

Othay and the Wilderness will also present traditional American folk from the early 1900's, Americana and blugrass standards, and DJ Jonny Clark will be playing some Alice in Wonderland inspired remixes. 

Tickets cost £5 and are limited so should be bought in advance from: http://madhatterteapartylondon.eventbrite.com 

Further information and updates: http://bit.ly/1a0ahb  

ALL proceeds from ticket sales will be given directly to Oxfam to help them in their fight against poverty. www.oxjam.org  

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Gareth Trew: Poet of the Month

Gareth Trew generally lives in a state of great confusion. He has been writing for most of his life, though only seriously for the past year; he currently has a few publications to his name. As well as creative writing, Gareth is also keenly interested in the performing arts, particularly acting. He is an avid reader and can often be found with his nose in a book and a cup of tea in his hand – especially when he ought to be doing something more productive!

In A Café For A Coffee After Work

I sit amidst the clinking
of cups on saucers,
the sound of sips and slurps;
swamped by the buzz
of strangers' chatter,
I watch her – this waitress.

She moves about the room
like an automaton;
aims for an aloofness
she almost achieves,
but is belied by
her raging eyes.

Deep green and enormous,
they betray her melancholy;
scream an anger so intense
I nearly need to look away.

I wish she'd drop the tray she carries –
smashed china and scalding water
a chance to breach this distance.

I'd reach for her trembling hand,
offer words of reassurance
with my eyes and a snatch of smile.
Together we'd gather the broken bits
and bin them; soak up the water
with wads of blue paper; ignore
the noise of onlookers.

But, however brittle,
she's seamless as a sphere;
she drops nothing, and I
can only do the same,

my long-desired coffee
sitting stagnant in my stomach
like a stone.

Gareth Trew

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Poetry of Lights: Poets' Letter

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Slambassadors UK 2009

Roses: Hazel Ventura

Website of the Month: Young People's Writing Squads

The Young People's Writing Squads aim to locate gifted young writers - in both English and Welsh - in each authority region and introduce them to some of Wales' leading writers, and teachers of writing.

The Writing Squads have been developed over the past decade by Academi in association with local authorities in Wales.

http://www.writingsquads.org

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Purely Poetry

Somewhere there is a poem: Femi Shekete

Some where there is a poem in my head
I want to be heard, to say it to sing it to believe it and recite it
Over and over again.


Somewhere there is a poem on my tongue in my mouth on
My hands there’s a poem of broken hearts of tears laughter joy
And even shame.

There’s a poem for every soul lost or found for every winner or looser
Of every weeping child this poem lies in me I was born with it to change

The world with it but I can’t seem to find these words .am incarcerated by words unknown.
Would I let that stop me would being a prisoner to my words unknown stop me from being a star so bright?

I might blind your eyes NO IT WOULD NOT if these words I cannot speak lay in me burn in my blood and
Dances with my soul and are carved on my heart then I will feel the words and be the words and some day

Change this world.

Femi Shekete

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Book Reviews

 

Jetty View Holding: Poetry: Philip Ruthen

Jetty View Holding

Author: Philip Ruthen

Genre: Poetry

Pages: 93

Publisher: Waterloo Press

ISBN: 978-1-906742-02-07

Price: £8.00

Where to Buy: www.waterloopresshove.co.uk

 

Jetty View Holding is Philip Ruthen’s first poetry collection, published by Hove based publisher Waterloo Press. It seems, these days in which poetry finds itself still in desperate need to apologise for taking some publisher’s space, as though it is necessary for a poet to publish his/her first collection to get some establish poets’ blessings in words so to justify the ‘dare’ to get his/her first collection published!

 

There are good words from established poets for Philip Ruthen’s collection, too. But, do we really need some big poets to write some words in favour of a ‘daring’ new poet to publish his/her collection! No we surely do not nor does Philip Ruthen or his collection. Jetty View Holding does what it says on the ‘tin’; it offers poetry of a mature, self assured and confident poet who has had ample exposures to the craft before he has gone to the publishing a book phase of it!

 

What kind of poetry does Philip write? Well, here’s the difficult bit to answer since it would be rather hard to place him in a box and say he is this or that kind of poet for surely he does not write like any other poets and precisely that is the reason why he ought to have published this collection long before now!

 

Philip Ruthen writes poetry of life, to some people, that is too vast, too vague and too unfathomable a concept yet he carries on struggling with the wriggling life to fathom her out, to shape her in, to wring and catch her and bring to us a tangible out product? How does he do? Does he manage to succeed? Does he bring the catch, surely, he copies the Old Santiago of The Old Man and the Sea and does turn up with a catch which may not easily be put away in a ticked box but, indeed, his are catches of tender tapestries of life sung in a tune that can only be described as the sublime sophistication.

 

“Think

Take off in your imagination

The siren call

To order

 

Take

no notice

look across the fields

of golden wheat

 

Change your view

as others crowd

to speak into your ear

 

Turn back

and tell the tale

rough and smooth

love to lose

to keep yourself

immaculate.”

 

Here’s the point of Philip Ruthen: he does not do ‘cheap champagne’, successfully avoid becoming a stand up comedian and remains resolutely committed to his craft of depth and solemn seriousness. He ‘tells the tale/rough and smooth’ and he knows without losing there’s nothing to gain or to be.

 

Throughout this collection we have ample evidence of solemn and beautiful poetry that creates a deep sensibility that is so subtle, so delicate, so sublime that can not be offered in take awaay sandwich package or a cappuccino cup. Philip Ruthen ought to carry on writing poetry and publishing it not because he is easy but because his sensibility is the one that one finds in an epic poet: his poetic mindset is not after the sun set but that sunset that is inhaled across the peninsula beneath the sky that sings out the sunset like the way water sings through the blotting paper. Is it easy a task? No, it surely, definitely not an easy task.

 

“You I sense are naked

arms flung behind your head-

this artifice; I can’t do justice

to the touch of you

an invitation”

 

(To float beside shoulders)

 

What is his tone of voice in which he speaks and speaks so fluently? His voice is the expanding silence rejuvenating, incoming horizon elaborating, the spring’s warmth only still held in prospect and he still speaks once all the speaking has been done. Easy Philip Ruthen is not, complex he is and surely the sublime is only achieved through the lenses and layers interwoving life’s tapestry. Jetty View Holding is the view of life before you, being held: open yet mesmerizingly closed with only invitations to venture in and out so to figure it out for yourself.

You want to eat a peach surely you can with Philip but he will not offer you it chewed in and taste ticked: find yours in your own way.

 

He writes of ‘deceptive solitude’ and ‘monsoons between sheets’ and he finds his music in ‘the land is sunburst blues above and kneels below the seasons each a thousand days’.

 

In 93 pages there are ample variations in themes and tones where Philip takes his fancy in subjects ranging from The Peppermint Lounge, Cardiff Sundays to Parity (NHS), from Seagull to Utopia but what does not change is his efforts to elaborate on the essence of why he writes poetry: he aspires and aims to achieve a solidity of “the golden wheat” that is so sublime and delicate and Philip is that poet who finds, on each occasion, a way and means, and adjust his tools and tone  as a master craftman,  the variations and divergence of that solidity of “the golden wheat’ of life that is ever so liquid, ever so motional and playfully running away and, invincibly and intricately unfathomable to our grasp and he sings it in leisure and finds the pains and joys so to bring about the Jetty View home and he keeps it still for it is now a piece of art: poetry of the whole, of life. He crafts granite of life and makes poetry sing beautiful lyrical joys of multiple complexities bringing home the epic nature of a modern poet who must seek and sing what he breathes and Philip does do so of life for poetry masterfully. Waterloo Press must be congratulated for bringing this collection out and it would be a loss for poetry loving people if they failed to read and appreciate this poet who is the poet of the whole of life.

 

“I left, with my name

on Florentine verandas

and the porticoes of Valencia

 

in  Dar es Salaam,

white you tended the elderly relation

I lay on the long hill

 

waiting for the thrill or threat of death

to pour anger’s smoke

into the new columns of Delphi

 

before arriving in Brasilia,

via Rome-

where there are hundreds of named worlds to wait for

 

then fall, to Sao Paulo; I find poste restante,

your calling cards are travelling, travelling”

Poets' Letter

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Foyles Young Poets of 2009

Phil Coales, Bradley Cutts, Hattie Grunewald, Dom Hale, Bryony Harrower, Leon Yuchin Lau, Nai Liu, Hannah Locke, Karina McNally, Megan Pattie, Phoebe Power, Adham Smart, Phoebe Walker, Melissa Whittle and Jonathan Wilcox are winners in Foyles Young Poets of 2009 Competition run in association with The Poetry Society. For more

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Society

Breezer have conducted some fascinating research into the complexities of women’s friendships which has thrown up some fascinating insights I thought you may like to feature in your news.

Time chatting with friends as pleasurable as sex: Psychologists claim that time spending time with best friends is as pleasurable as having sex as it can release the same endorphins as those released when having sex with a partner. Leading psychologist, Jennie Trent-Hughes adds, ‘We have our friends to make us feel good. Nothing releases the old endorphins – natural happy chemicals that you release during sex and other times of elation – like laughing and having a good old, fashioned gossip. A true friend is there to talk to and share with, making us feel lighter in both head and heart.”

Friends trust their mates advice but refuse to work with them: 75% of women said they would trust their best friend to make important life decisions for them including choosing a partner. 75% of women said they would also only move abroad for a job promotion if their best friend came with them. However, out of this group only 14% said that they would actually recommend their best friend for a job in the same workplace as them due to concerns that their friend would cause distractions, friendly rivalry could turn sour and they could show them up in front of their boss.

Money matters: Money fronts the agenda for the favourite topic of conversation knocking relationships, dieting, shopping and celebrity gossip of the top spots. 79% of women say they prioritise time with their friends as they use this time to off-load and share their troubles and cheer themselves up.

Regional Findings

The notion that you can count all of your best friends on one hand is false, with over a 1/3 of women in the UK claiming they have more than 5 best friends

Scottish girls are five times more likely to discuss sex with their mates than those in the Midlands

Girls in Wales are the more career focused and are twice as likely to discuss their jobs when chatting with mates than those in Southern England. However, Londoners are the most competitive career wise- they are the least likely in the UK to recommend one of their best friends for a job at their work place

Northern girls are the friendliest bunch, they are most likely to have eight or more best friends in the whole of the UK. Girls in the south have the least amount of best friends.

Breezer’s survey into friendship shows that regularly getting together with friends is the key to a happy life for the nations women.

The old saying that you can choose your friends but you can’t choose your family has never been so relevant, as the latest research into how the nation’s women view their friends reveals that having people to share with can help you live a happier, more balanced lifestyle. With three in four women (76%) claiming to be cheered-up after talking to friends about their problems, and 73% saying that catching up on all the gossip and having a good laugh makes them feel more relaxed, it’s clear that in order to deal with the demands of modern life, getting together with friends is essential.

Nurturing trust is important too, and 55% of women claim they would let their best friend choose a blind date for them. Those surveyed said that sharing time with friends on a regular basis ensures that they have someone who will listen to them and who makes them feel valued and wanted.

Leading psychologist Jenni Trent-Hughes confirms this: We have our friends to make us feel good. Nothing releases the old endorphins – natural happy chemicals that you release during sex and other times of elation – like laughing and having a good old, fashioned gossip. A true friend is there to talk to and share with, making us feel lighter in both head and heart.

Breezer conducted the extensive research into friendship and its impact on happiness and well-being, to find out exactly how Britain’s women release the ‘friend-orphins’ and relax after a tough week.

Arts Arts Arts Arts

Yoko-D’Holbachie: Living in Your Dreams Exhibition

On display: November 19th to the 30th

Private Opening Reception: November 18th, 2009 from 5pm to 9pm. 

Living in Your Dreams features Yoko's largest body of solo work to exhibited. This new collection aims to interrupt the meaning of dreams, and the spirits that journey through our subconscious. At first glance the viewer is faced with colourful and strange creatures wondering in a neon world, yet hidden under her externally pleasantly painted lands lays something dark and mysterious. 

The cartoon like figures of animals and children appear as a cross between Japanese anime and western pop icons are painted with a truly diverse range of colours. With a sharp attention to detail, a quality that makes her paintings stand out  Yoko d'Holbachie demands your attention as she takes you on a 21st century psychedelic journey into dreams. Once you see any of her works, you will never forget them due her unique interpretation of the world and the strange creatures she creates. 

Since early 2005 Yoko's paintings have been exhibited in galleries in Asia, America and parts of Europe, creating new fans and admires where ever her work is showcased.  Yoko's  work has been used for Album cover designs, Magazine covers and computer games. She was featured on the cover of Hi-Fructose magazine in their VI issue.

Westbourne Studios
Acklam Road, W10 5JJ
London. U.K
www.londonmiles.com

 

Shade of Things to Come Exhibition

END OF THE LINE PRESENTS 'SHADES OF THINGS TO COME'
TUESDAY 25TH - SUNDAY 29TH OF NOVEMBER 2009

www.shadesofthingstocome.co.uk

AN EXHIBITION FEATURING AN ECLECTIC LINE-UP OF EUROPEAN AEROSOL ARTISTS
ARYZ / BISER / BOM.K / DOES /NYCHOS / PROBS / RABODIGA / TIZER

OFFICIAL LINE-UP FINALIZED:
'Shades of things to come' is hotting up as End of the Line confirm the involvement of the grotesquely beautiful styles of Bom.K from France and the femme fatale talent of Rabodiga from Spain. All but one of the artists will be in London for 10 days to paint new and original artworks specially for the exhibition.  Limited edition prints and other 'covetables' by all the artists will be available on the opening nights and during the show.
 

THE LINEUP

ARYZ:           INCREDIBLE CHARACTER ARTIST WITH AN UNCANNY ABILITY TO GO BIG FROM BARCELONA, SPAIN.

BISER:          MIXED MEDIA ARTIST & TOY SCULPTOR FROM DEEPEST, DARKEST BLACK FOREST, GERMANY.

BOM.K:         INTRICATE & EXTRAORDINARY ARTIST WITH BRUTAL BUT BEAUTIFUL SUBJECT MATTER, PARIS, FRANCE.

DOES:           ULTIMATE LETTER STYLER WITH INCREDIBLE FREEHAND DEXTERITY HAILING FROM SITTARD, HOLLAND.

NYCHOS:     UNIQUE STYLED AEROSOL CARTOONIST FROM VIENNA, AUSTRIA.

PROBS:        MASTER OF MANY STYLES AND THIRD DIMENSIONAL TECHNICIAN, LONDON, UK.

RABODIGA:  TALENTED YOUNG FEMALE ARTIST WHO HOLDS HER OWN WITH A DELICATE AND REFINED STYLE, ZARAGOZA, SPAIN.

TIZER:           “LONDON’S ELDER STATESMEN OF GRAF”,  BRINGING THE LOCAL FLAVOUR,  LONDON, UK.
 

End of the Line presents ‘'Shades of Things to Come'’, an exploration into the contemporary world of freehand graffiti.   We have selected incredible artists from across europe who really push the boundaries of freehand aerosol art.  Each artist has a unique, individual style and represents a different discipline of dirty handstyles and technical dexterity.

The Maverik Showroom on Redchurch Street in Shoreditch will play host to this not-to-be-missed event.  The entire gallery will be completely transformed with full-scale artwork, canvases, installations, sculpture, productions in mixed-media and artists in residence painting live over the course of the exhibition.
 

End of the Line is a creative studio that curates independent underground art events, and specializes in painting quality large-scale aerosol murals. EOTL have delivered concepts for International leading brands including the World premiere of Paramount's blockbuster film The Watchmen,  the launch of Kia's Soul, Capcom's Monster Hunter Freedom Unite and painted Casio's Flagship store on Carnaby Street. 

MAVERIK SHOWROOM
68-72 REDCHURCH STREET
SHOREDITCH, E2 7DP
WWW.MAVERIKSHOWROOM.COM

GALLERY OPENING HOURS :
WEDNESDAY 25TH NOVEMBER - FRIDAY 27TH NOVEMBER        12PM - 8PM
SATURDAY 28TH NOVEMBER - SUNDAY 29TH NOVEMBER        12PM - 5PM

Deptford Festival and Exhibition Nov 27

Camila Fiori has been asked to develop a project in connection with 'Deptford Update' - a festival and exhibition Commissioned by Design for London in partnership with London Borough of Lewisham. What she will be doing will be quite different to the exhibition as it is primarily an architecture and development project with drawings and models - details to follow but she is hoping to think interactive brain-storming on dreams for the area... injecting some fun into it and getting people actively involved in improving the area. She is meeting the organisers this week to discuss the finer details and will surely keep interested informed. The likely date for that is:

Friday 27th 5-8pm
APT Gallery,
Harold Wharf, 6 Creekside,
Deptford, London SE8 4SA

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The Light Shoreditch Showcases New Works of Five Artists

Edward Coyle - Merlin Ramos - Frederick Sorrell
Benedict Siddle - Matthew Harriman


The Light, at 233 Shoreditch High Street, East London is showcasing new work from five contemporary artists whose art explores aspects of ‘City Life’ through paint, sculpture and print. The exhibition, which is open until The 27th November 2009, is free to visit and open to the public. 25 pieces will be on display, and all work is available for purchase, priced from £300 to £3,000.

Oliver Williamson, Owner/Manager of The Light commented: “We are delighted to be hosting this exhibition which not only supports exciting new artists, but introduces their work to an audience, in an environment to which both parties would not normally be exposed. Given the enthusiastic response we have had from our customers to this our first building wide exhibition we look forward to further future collaboration.”

Edward Coyle studied Fine Art at Newcastle University before gaining a Post Graduate Diploma from The Prince’s Drawing School, London, where he is now Artist in Residence. He was shortlisted for Bloomberg New Contemporaries 2009 and voted in the top ten student artists by the Editor of Saatchi Online 2008. Edwards’s paintings rely on sampled architectural imagery taken from digital images, photography, direct observation, memory and imagination. The resulting works show a flux of struggle between composition, image and representation and also demonstrate an oscillation between the temporary and constant.

Merlin Ramos studied Fine Art at Falmouth College University, Cornwall, before gaining a Post Graduate Diploma from The Prince’s Drawing School, London, where he is now Artist in Residence. He has exhibited in Madrid, Dublin and London, including Christie’s in 2006. He has also exhibited with Daydream magazine at the Carnaby Project pop up galley. In 2009 he was asked to display pictures at Windsor Castle for a dinner, that he was invited to, thrown by Prince Charles- he sold all three pieces. His paintings contemplate the urban environment and the way structures interact with their surroundings.

Fred Sorrell studied Fine Art at Falmouth College University, Cornwall. He has featured in Art World magazine article as on the best student shows in 2008. He has worked and exhibited for Daydream Magazine, including exhibitions at The Carnaby Project, a pop up gallery space, and M&CSAATCHI in Golden Square. He was recently an Artist in Residence at the TAKT Residency in Berlin and has also worked in New York and Venice. His paintings reflect contemporary aesthetics of modern urban life, incorporating his joy for painting and focusing on minute details alongside bold, gestural marks.

Benedict Siddle studied illustration at Kent Institute of Art and Design, Maidstone. He works as freelance illustrator making prints and designing T-shirts for his own brand ULTRAMEGA. His work is a commentary on the absurdities of the world, with constant references to politics, popular culture, sex, death and poetry. One of his key influences is the American poet Allen Ginsberg.
All his prints are handmade in order to give each edition a unique appearance.

Matt Harriman studied art at Brighton Art College. He has exhibited previously at Grand Parade Gallery, Brighton, M&C Saatchi, Soho. He creates abstracted sculpture’s, conveying the energy and flow of urban spaces. His work has developed from its origins in graffiti into dynamic representations of modern urban spaces, using vibrant colours and dynamic forms, while his use of materials provide a sense of artifice between the work and surrounding space.

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Theatre Theatre Theatre Theatre

Shraddho at Soho Theatre: Till Nov 21

http://www.sohotheatre.com/images/event/124784031745.jpg

By Natasha Langridge
Directed by Lisa Goldman
29 October - 21 November 2009
7.30pm

The Games spell eviction for the Romany Gypsies. 17 year-old Pearl Penfold is one of them. As the bulldozers close in, Pearl falls in love with Joe, a boy from the local estate. Can Joe prove himself to Pearl and her family before they are gone forever?

A heart-warming love story by new talent Natasha Langridge, directed by Soho Theatre's Artistic Director Lisa Goldman
Designer: Jon Bausor
Lighting Designer: Philip Gladwell
Sound Designer: Matt McKenzie
With Alex Waldmann, Jade Williams, Miranda Foster, Anna Carteret and Jim Pope.
http://www.sohotheatre.com 
 

Moliere or The League of Hypocrites 24Nov to 19 December at the Finborough Theatre

The first London revival in 25 years.

Jean-Baptiste Molière is on top of the world – at the centre of Louis XIV’s court, author of countless popular hits, and in love with a woman half his age. But what the audiences see as sparkling satire, the authorities see as dangerous and subversive. As soon as he takes a wrong step, his fall from grace is assured.

Assailed by rumours and tracked by the secret police, Molière's private life starts to fall apart. In this world of whispers and distortions, everyone is vulnerable. But not everyone has a theatre to run.

Inspired by real-life events and written under the shadow of Stalin, Molière is about a man's fight to keep his integrity under a repressive regime.

Playwright and novelist Mikhail Bulgakov (1891-1940) was the most original writer of the Stalinist era, turning out outspoken, satirical works, even as his contemporaries were arrested and killed. He is probably best known for The Master And Margarita, published 26 years after his death and now the favourite book of four out of five Russians. He also wrote the plays The White Guard (which Stalin saw seventeen times) and Black Snow, a savage spoof of Stanislavsky and his Method which was inspired by Bulgakov’s difficulties in getting Molière staged. Productions of Bulgakov’s work in the UK have included Black Snow and Flight at the National Theatre, The Master and Margarita at Chichester Festival Theatre, and The White Guard for the Royal Shakespeare Company. Molière was last seen in London in 1983, at the Barbican’s Pit Theatre, in a Royal Shakespeare Company production starring Antony Sher.

Translator Michael Glenny (1927-1990) was one of the most prolific and highly respected translators of Russian works in the 20th century. He was professor of Russian studies at the Universities of Birmingham, Southern Illinois and Bristol. Glenny translated ten works by Bulgakov, including Black Snow, The White Guard and The Master and Margarita. His other translations include works by Solzhenitsyn, Nabokov, Eisenstein, Gogol, Dostoevsky, Gorky and the first volume of Boris Yeltsin’s memoirs.

Director Blanche McIntyre is the first recipient of the Leverhulme Directors’ Bursary, and is currently Director in Residence at the National Theatre Studio and the Finborough Theatre. Directing includes Bulgakov’s The Master And Margarita (Greenwich Playhouse), Three Hours After Marriage (Union Theatre), Wuthering Heights (National Tour), The Revenger’s Tragedy (BAC), Birds (Southwark Playhouse), Doctor Faustus, The Devil Is An Ass, The Strange Case of Dr Jekyll And Mr Hyde As Told To An Inmate Of Broadmoor Asylum (White Bear Theatre), and Lost Hearts, The Invention of Love and Cressida (Edinburgh Festival).

Alex Marker is Resident Designer of the Finborough Theatre where his acclaimed designs have included Soldiers, Trelawny of the ‘Wells’, Hortensia and the Museum of Dreams, Albert’s Boy, Lark Rise To Candleford, Red Night, The Representative, Eden’s Empire, Love Child, Little Madam, Plague Over England, Hangover Square, Sons of York, Untitled and Death of Long Pig.

The cast includes:
Justin Avoth’s many credits include Jaques in As You Like It for Tim Supple at the Curve Theatre, Leicester, this summer, and Cassio in Othello for Greg Doran at the Royal Shakespeare Company, as well as roles in Dead Hands, 13 Objects and Gertrude – The Cry (The Wrestling School), Edward II (Shakespeare’s Globe), The Ash Girl, True Brit (Birmingham Rep), Venice Preserved (Almeida Theatre), Nathan The Wise (Hampstead Theatre), Chains, De Montfort (Orange Tree Theatre, Richmond), The Government Inspector (Harrogate Theatre), King Arthur (Royal Opera House, Covent Garden), and A Midsummer Night’s Dream (Royal Exchange Theatre, Manchester). Television credits include Midsomer Murders, Merlin, Spooks, Judge John Deed and Coronation Street.

Portia Booroff’s credits include Phedre (National Theatre), Six Characters In Search Of An Author (Gielgud Theatre), The Deep Blue Sea (Theatre Royal Bath), Hamlet (Creation Theatre Company) and The Allotment (National Tour). Film includes Night Junkies and Room 36. Television includes The Bill, Bugs and The Waiting Time.

Paul Brendan’s recent credits include Complicit, The Norman Conquests (The Old Vic), A Month In The Country, Antony and Cleopatra, Julius Caesar (The Tobacco Factory) and The Threepenny Opera (Bristol Old Vic).

Tom Davey’s credits include roles in A Midsummer Night’s Dream, Measure for Measure, Hamlet, Twelfth Night, Love’s Labour’s Lost, The Comedy of Errors (Royal Shakespeare Company), Rosencrantz and Guildenstern are Dead (Royal Shakespeare Company at the Novello Theatre) and Much Ado About Nothing (Shakespeare’s Globe). Television includes Victoria Cross, A Serpent In Eden, Plenty Of Fish and The Ruby In The Smoke.

Mark Desebrock graduated from Guildhall School of Music and Drama this summer. His credits already include the lead in A Little Neck (Hampton Court Palace) and Love’s Labour’s Lost (Shakespeare’s Globe, Australia) and the feature films Bright Star and The Course.

Emma Jerrold’s credits include Macbeth (National Theatre), Miss Julie (Bristol Old Vic), The School for Scandal (Redgrave Theatre, Bristol), The Changeling (Queen’s Theatre) and numerous productions for the Gate Theatre. Her television credits include roles in EastEnders and Bad Girls.

Antonia Kinlay’s credits since leaving RADA include the lead in The Eternal Not (National Theatre) and Arden of Faversham (Shakespeare’s Globe). Television credits include Consuming Passion and How New Amsterdam Became New York.

Gyuri Sarossy’s numerous credits include Hangover Square at the Finborough Theatre as well as Romeo and Juliet (Royal Shakespeare Company), Twelfth Night, Uncle Vanya (Donmar Warehouse), Balmoral, Man and Superman, Galileo’s Daughter, Don Juan (The Peter Hall Company), Coriolanus, Macbeth (The Tobacco Factory and Barbican), The Hypochondriac (Almeida Theatre), Rope (Watermill Theatre, Newbury), The Promise (Tricycle Theatre), Romeo and Juliet (Leicester Haymarket) and Luther (National Theatre). Film credits include Another Life and After Death. Television credits include The Bill, Holby City, EastEnders, Judge John Deed, Egypt, Casualty, Doctors and Kavanagh QC.

Kett Turton’s film credits include work for Warner Bros., United Artists, MGM and 20th Century Fox including A Simple Curve, Blade: Trinity, Firewall, Gypsy 83, Rollercoaster, Saved! and Walking Tall. Television credits include The X Files, Dark Angel, The Five People You Meet in Heaven and series regulars or leads on 24, Dead Last and Stephen King’s Kingdom Hospital.

The Leverhulme Trust was established in 1925 under the Will of the first Lord Leverhulme. It is one of the largest all-subject providers of research funding in the UK, distributing funds of some £50 million every year. For further information about the schemes that The Leverhulme Trust fund visit their website at www.leverhulme.ac.uk
www.finboroughtheatre.co.uk  
 

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6th London Poetry Festival 2010: August 6, 7, 8 & 9

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